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    <title type="text">Orion Magazine Articles</title>
    <subtitle type="text">Articles:</subtitle>
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    <updated>2008-08-14T17:40:49Z</updated>
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    <entry>
      <title>Ladder to the Pleiades</title>
      <link rel="alternate" type="text/html" href="http://www.orionmagazine.org/index.php/articles/article/3048/" />
      <id>tag:orionmagazine.org,2008:index.php/2.3048</id>
      <published>2008-08-13T12:58:00Z</published>
      <updated>2008-08-07T13:36:56Z</updated>
      <author>
            <name>
by Michael P. Branch
</name>
                  </author>

      <category term="Stories &amp; Memoir"
        scheme="http://www.orionmagazine.org/index.php/site/C16/"
        label="Stories &amp; Memoir" />
      <category term="Coda"
        scheme="http://www.orionmagazine.org/index.php/site/C30/"
        label="Coda" />
      <content type="html"><![CDATA[
        <p>MY DAUGHTER, Hannah Virginia, who recently turned three years old, is teaching me about the stars. Far from being a liability to her, my own profound astronomical ignorance has turned out to be her boon and, through her, a boon to me as well. The most important thing the kid has taught me is the brilliant, open secret that if you don&#8217;t go outside and look up, you won&#8217;t see anything. Every night before bedtime she takes my hand and insists that I get my bedraggled ass up and take her outside to look at the stars. If this sounds easy, ask yourself if you can match her record of going out <i>every single night</i> to observe the sky&#8212;something she has done without fail for more than a year now. That she has somehow brought her celestially illiterate father along is more amazing still.
</p>
<p>
Following the inexorable logic that makes a kid&#8217;s universe so astonishing, Hannah insists on looking for stars no matter the weather. At first I attempted the rational, grown-up answer: &#8220;It just isn&#8217;t clear enough to see anything tonight, honey.&#8221; But her response, which is always the same, is so emphatic and ingenuous that it is irresistible: &#8220;Dad, we can always <i>check</i>.&#8221; And so we check. And it is when we check that the rewards of lifting my head up and out of another long day come into focus. One cold and windy night we stepped out and discovered, through a momentary break in an impossibly thick mat of clouds, a stunning view of Sirius blazing low in the southeast. Another evening we stood in an unusual late-winter fog and saw nothing&#8212;but then we heard the courtship hooting of a nearby great horned owl, followed immediately by the distant yelping of coyotes up in the hills. We even stand out in snowstorms to stargaze, and while we&#8217;ve never seen any stars on those white nights, we&#8217;ve seen and felt and smelled the crisp shimmering that arrives only on the wings of a big January storm. Snow or no snow, Hannah knows those stars are up there, so she does easily what is somehow difficult for many of us grown-ups: she looks for them. And whether she sees stars or not, in seeking them every evening she has forged an unbreakable relation with the world-within-a-world that is night. 
</p>
<p>
Questions are the waypoints along which Hannah&#8217;s orbit around things can be plotted, and she has asked so many questions about stars for so many nights in a row that at last I&#8217;ve been compelled to learn enough to answer some of them. In doing so I&#8217;ve stumbled into placing myself, my family, my home, on the cosmic map whose points of reference wheel across the sky. We&#8217;ve learned a surprising number of stars and constellations together. Now that we&#8217;re in our second year of performing our nightly ritual, we&#8217;re also having the gratifying experience of seeing our favorite summer stars, long gone in the high-desert winter, come round again on the year&#8217;s towering, dark clock. 
</p>
<p>
The other evening after supper, my wife asked Hannah to make a wish. Without hesitating she replied, &#8220;I wish I could have a ladder tall enough to reach the stars.&#8221; As usual, I didn&#8217;t know what to say. It is impossible to dismiss a three-year-old kid when she articulates hopes that are at once so perfectly reasonable and so beautifully impossible. 
</p>
<p>
Before she goes to sleep, Hannah and I look at the six-dollar cardboard star wheel I bought to help us identify constellations. Too tired to make much of it, I toss the disk down on her bed in mild frustration. She picks it up, holds it upright in front of her in both hands, stares earnestly out beyond the walls of her room, and begins to turn it left and right as if it were a steering wheel. 
</p>
<p>
&#8220;Where&#8217;re you going?&#8221; I ask. 
</p>
<p>
&#8220;Pleiades,&#8221; she says. &#8220;You want to come?&#8221; 
</p>
      ]]></content>
    </entry>

    <entry>
      <title>Running on Wind and Sun</title>
      <link rel="alternate" type="text/html" href="http://www.orionmagazine.org/index.php/articles/article/3057/" />
      <id>tag:orionmagazine.org,2008:index.php/2.3057</id>
      <published>2008-08-13T12:55:00Z</published>
      <updated>2008-08-07T13:34:04Z</updated>
      <author>
            <name>
by Wren Farris
</name>
                  </author>

      <category term="Sustainability / Stewardship"
        scheme="http://www.orionmagazine.org/index.php/site/C17/"
        label="Sustainability / Stewardship" />
      <category term="Making Other Arrangements"
        scheme="http://www.orionmagazine.org/index.php/site/C48/"
        label="Making Other Arrangements" />
      <content type="html"><![CDATA[
        <p>CARSON, NEW MEXICO&#8212;When the wind comes up the mesa, which it often does, there is a particular rusted-out old car nearby that whispers the same eerie, long-toned question every time: &#8220;Whoooooo?&#8221; 
</p>
<p>
I sometimes think: &#8220;Us.&#8221; 
</p>
<p>
Out in this remote part of the American Southwest lies the closest thing I have seen to an answer to how to <i>actually</i> live sustainably on the planet. 
</p>
<p>
With groundwater too deep for wells, we harvest rain off tin roofs and collect it in cisterns for sparse use all year. With no plumbing, outhouses and even composting toilets or living-machine-style waste recycling systems are the standard. A landscape with a complete absence of power lines means small solar setups, use of solar gain in building design, or just going without. Heat is wood. This year everyone is burning the dead-standing pinyon pine that got hit by a bark beetle infestation.
</p>
<p>
Many people out here live on what the rest of the country would call literally nothing&#8212;some on less than a few hundred dollars a month. At the tiny local store you can buy small bags of the most beautiful tricolored popping corn grown by a woman down the way, or the local furniture maker Robert&#8217;s dry-farmed beans. There&#8217;s nothing lavish about this life, except the vast beauty of the sky, the fine tracks of kangaroo rats traced in arroyo sand on morning walks, and a secret knowledge that you <i>live the good life</i>. I have often met some of the roughest-looking folks who end up confessing: &#8220;Yeah, I&#8217;ve been out here twenty-five years, I used to be a CEO, now I haul water and use an outhouse and I couldn&#8217;t be happier! If you trade your whole life for money, what do you really have?&#8221; 
</p>
<p>
Yesterday, while a neighbor and I spent two hours digging her truck out of the mud, she stopped and commented, &#8220;Did you see the sunset last night? The geese should be migrating soon, I can feel it!&#8221; The next morning, by god, I heard the first of the honking calls of the geese moving north.
</p>
<p>
What I mean to say here is: sure, join organizations, shop more consciously at sustainable businesses, use all the right organic body-care products, but none of this is hitting the mark if we want to talk about the real changes Americans need to make in order to continue to exist in the delicate balance of our now threadbare ecosystems. I fear I see a trend that is urging people who care about the fate of life on the planet to transfer their same over-consumptive habits and over-dependence on comfort merely to a &#8220;greener&#8221; version of the same unsustainable thing. 
</p>
<p>
If the system as we know it collapsed tomorrow, some of us would still be out here, running on wind and sun&#8212;rugged, near-moneyless, land- and sky-loving desert dwellers in whose lives I see the possibility of human survival.&nbsp;
</p>
      ]]></content>
    </entry>

    <entry>
      <title>Environmental Self&#45;defense</title>
      <link rel="alternate" type="text/html" href="http://www.orionmagazine.org/index.php/articles/article/3056/" />
      <id>tag:orionmagazine.org,2008:index.php/2.3056</id>
      <published>2008-08-13T12:53:00Z</published>
      <updated>2008-08-07T13:37:19Z</updated>
      <author>
            <name>
by Tom Callos
</name>
                  </author>

      <category term="Sustainability / Stewardship"
        scheme="http://www.orionmagazine.org/index.php/site/C17/"
        label="Sustainability / Stewardship" />
      <category term="Making Other Arrangements"
        scheme="http://www.orionmagazine.org/index.php/site/C48/"
        label="Making Other Arrangements" />
      <content type="html"><![CDATA[
        <p>PLACERVILLE, CALIFORNIA&#8212;I am a Master Teacher of the martial arts. I took my first lesson in 1969, received my first degree black belt at the age of nineteen, and today I teach martial arts teachers all over the world how to do what they do, better. Self-defense training is a big part of the martial arts. It is my experience that just about everyone, martial artist or not, wants the ability to protect herself and her loved ones from harm. This is why, today, authentic self-defense training must include lessons in subjects such as environmental self-defense, conscious consumption, and attitudinal defense. 
</p>
<p>
Many of us are much more likely to be hurt&#8212;and even killed&#8212;by things we do to the environment, by how and what we consume, and by our attitudes about things such as race, gender, and consumerism, than by any kick, punch, or throw. From my perspective, as an expert in self-defense, learning how to reduce one&#8217;s footprint on the planet is a thousand times more relevant to personal protection than are lessons in how to block punches and kicks. While this opinion is not yet common in the martial arts world, the idea is starting to catch on.
</p>
<p>
For a small but growing number of martial arts teachers, environmental consciousness is self-defense. Martial arts school owners Mike and Karen Valentine of San Rafael, California, own the first dojo in the nation (and most likely in the world) that has made an ocean-based environmental cleanup project a part of their black belt test requirements. Environmental engineer turned karate teacher Tim Rosanelli asks each of his students to perform ten acts of &#8220;environmental self-defense&#8221; to earn their green belts in his school in Pennsylvania. My program, <a href="http://www.ultimateblackbelttest.com" title="The Ultimate Black Belt Test">The Ultimate Black Belt Test</a>, requires high-ranking martial arts teachers to organize environmental cleanup projects as a part of their training. This requirement is already responsible for more than fifty cleanup projects worldwide.
</p>
<p>
In the near future, millions of &#8220;karate kids&#8221; and other martial arts enthusiasts will learn, along with their various stances and grappling moves, the ABCs of conscious consumption and the basics of living a sustainable lifestyle. To teach authentic, culturally relevant, here-and-now self-defense, we cannot leave out the very subjects that have the potential to do us the most harm. After thirty-nine years in the martial arts world, I recognize, as clear as a punch on the nose, that self-defense is not a matter of fists and feet; self-defense for today&#8217;s world is global and green.
</p>
      ]]></content>
    </entry>

    <entry>
      <title>With the Lapps in the High Mountains</title>
      <link rel="alternate" type="text/html" href="http://www.orionmagazine.org/index.php/articles/article/3244/" />
      <id>tag:orionmagazine.org,2008:index.php/2.3244</id>
      <published>2008-08-13T12:46:00Z</published>
      <updated>2008-08-14T17:40:49Z</updated>
      <author>
            <name>
Translated by Barbara Sjoholm
</name>
                  </author>

      <category term="Culture and Society"
        scheme="http://www.orionmagazine.org/index.php/site/C7/"
        label="Culture and Society" />
      <category term="People &amp; Place"
        scheme="http://www.orionmagazine.org/index.php/site/C14/"
        label="People &amp; Place" />
      <category term="Web Exclusive"
        scheme="http://www.orionmagazine.org/index.php/site/C35/"
        label="Web Exclusive" />
      <content type="html"><![CDATA[
        <blockquote><p>While traveling in Scandinavia to research <i>The Palace of the Snow Queen: Winter Travels in Lapland</i>, Seattle writer Barbara Sjoholm came across a little-known and long-forgotten book, <i>With the Lapps in the High Mountains</i>. This early text about the nomad reindeer herders tells of the year that Emilie Demant Hatt, a Danish painter, spent among the S&aacute;mi of northern Sweden in 1907-1908. Sjoholm, a translator as well as writer, fell in love with the book and knew that other English readers would as well. Sjoholm graciously offered <i>Orion</i> these excerpts from <i>With the Lapps in the High Mountains</i>, which hasn&#8217;t yet been published in book form. The introduction below is excerpted from a longer piece in the Spring 2008 issue of <i>The Antioch Review</i> and is used with the permission of the editors (<a href="http://www.review.antioch.edu">http://www.review.antioch.edu</a>). For more information, go to <a href="http://www.barbarasjoholm.com">http://www.barbarasjoholm.com</a>.</p></blockquote>


<p>
<b>A Danish Lapp-Lady</b>
</p>
<p>
Introduction by Barbara Sjoholm
</p>
<p>
In the summer of 1908, a small, easily-overlooked item appeared in a newspaper in Troms&#248;, Norway, under the title, &#8220;A Danish Lapp-Lady.&#8221; A Miss Demant was to be found not far from town in Tromsdalen, a valley that served as a summer home for the S&aacute;mi nomads who&#8217;d come with their reindeer from Sweden. &#8220;She has spent a whole year with a Lapp family, has dressed herself in Lappish costume, and lives in the family&#8217;s tent. Together with the Lapps she has wandered over the mountains from Tornetr&#228;sk Lake in Sweden to Tromsdalen. She is doing well and has only praise for the Lapps.&#8221;
</p>
<p>
Emilie Demant (later Demant Hatt) had indeed been living the nomad life for about a year. The thirty-five-year-old artist from Copenhagen had originally visited Lapland in 1904, one of many tourists who&#8217;d taken advantage of the newly opened railway line that cut through the mountains of Sweden to deliver iron ore to the port of Narvik in Norway. On the train Demant Hatt happened to meet Johan Turi, a S&aacute;mi wolf-hunter who dreamed of writing a book someday about his people. Demant Hatt was so intrigued by Turi and the indigenous people she encountered that she resolved to return and live with them if she could, to speak their language and to learn their customs.
</p>
<p>
The S&aacute;mi, an indigenous people of Northern Scandinavia and the Kola Peninsula of Russia, number about 150,000, with the majority now living on the Finnmark Plateau in Norway. Many &#8220;sea&#8221; S&aacute;mi&#8211;&#8211;that is, coastal S&aacute;mi who fished more than herded reindeer&#8211;&#8211;were assimilated into the larger population along the coasts of Norway; and thousands emigrated to North America as well, often hiding their S&aacute;mi identity as they did so. Since the 1970s, the S&aacute;mi in the three Nordic countries have become an increasingly visible and organized minority, with parliaments in Norway, Sweden, and Finland, schools, cultural centers, and radio and TV news programs. Their name for themselves has been S&aacute;mi for at least six thousand years; they refer to their ancestral homeland as S&#225;pmi. Until the last few decades, however, they were known as Lapps and also referred to themselves in that manner when writing and speaking to a larger public. Emilie Demant Hatt was consistent with her era in her use of &#8220;Lapp&#8221; and &#8220;Lappish,&#8221; and I have kept to that usage in my translations. Here, in the introduction, I use S&aacute;mi, which is both noun and adjective, and refers both to the people and their language.
</p>
<p>
Emilie Demant Hatt eventually made the S&aacute;mi a large part of her life&#8217;s work as a translator, editor, writer, and artist. Her first project was to study the S&aacute;mi language back in Denmark, at the University of Copenhagen, with the philologist Vilhelm Thomsen. She eventually was to work with Johan Turi on his narrative, as editor and translator. <i>Muittalus S&aacute;miid birra / A Book about the Lapps</i>, was published in an innovative bilingual edition of S&aacute;mi/Danish in 1910 and was an immediate sensation in Denmark. It was also translated to Swedish, German, and eventually into English as <i>Turi&#8217;s Book of Lapland</i> (published by Jonathan Cape in 1931). It made Johan Turi famous for a while, and today it&#8217;s considered a core text in S&aacute;mi studies.
</p>
<p>
Demant Hatt then went on to write her own book about her nomad year, <i>With the Lapps in the High Mountains</i>, from which the excerpts below are taken. First published in 1913 and never before translated into English, <i>With the Lapps</i> is part travelogue, part ethnography; it is also a work of literary value, full of event, anecdote, and striking descriptions of a landscape that few in her native Denmark had ever experienced. With this book, Demant Hatt proved that she was far more than just a Danish Lapp-Lady, an eccentric woman traveler with a taste for roughing it.
</p>
<p>
Although Demant Hatt was, like most women of the time, not academically trained, she was a highly skilled observer of people and a writer and artist attuned to natural beauty in the landscape. There had been and were to be many other anthropologists visiting the Lapp camps, but Demant Hatt was the first and for a long time the only woman to have lived with the S&aacute;mi so closely. Almost twenty years before Margaret Mead visited Samoa to focus on the lives of girls and women, Demant Hatt wrote in depth about the S&aacute;mi children and women&#8211;&#8211;in part because the men were away herding the reindeer and she stayed behind in the tent, sewing, cooking, and listening. Demant Hatt, a great animal lover, also recorded many observations and anecdotes about the dogs and reindeer around her. Contemporary S&aacute;mi scholars have relied on Demant Hatt&#8217;s books for fresh, lively, and accurate details about how life was lived in Lapland in the early part of the twentieth century, when the S&aacute;mi were still making annual migrations with their reindeer herds.
</p>
<p>
<b>Reindeer</b>
<br />
Emilie Demant Hatt
<br />
Excerpted from <i>With the Lapps in the High Mountains</i> (1913)
<br />
Translated from the Danish by Barbara Sjoholm 
</p>
<p>
Up in an open space in the woods the ear-marking of the reindeer continued for another hour. Then both people and reindeer rested a good while, before the swimming across the river began. It was the first time that the small calves would test the cold water, which flowed down from snow and ice, and the current was strong. A boat rowed the whole time out by the mouth of the river, where it flowed into Lake Tornetr&#228;sk, in order to be ready to save the calves taken by the current. Such a shouting, leaping, and racing&#8212;all to get all the animals across. The calves were afraid of the water and ran away, their mothers after them, and after them a Lapp or a dog, until they were captured and chased into the water. Reindeer cows and calves ran around looking for each other, but finally every one of them was out in the river. The river was white froth from the movement of thousands of animals swimming; like a living carpet the many gray-brown backs glided under a forest of antlers over to the other side. As quickly as the reindeer came up on land, they shook themselves and a halo of water droplets flew off the soaking wet fur. 
</p>
<p>
Now, in great haste we got in the boats, with the dogs after us, the object being to cross quickly and to round up the herd before they took flight. The marking continued the rest of the day on a very large wet bog up under the mountains. The men and boys marked the calves; the girls and dogs kept the animals together. Each girl had her post at the edge of the herd.
</p>
<p>
While rain now poured from the sky, we ran, soaked through, between unstable tussocks, between knee-high willows, over rocks and holes, often in water up to our knees. It&#8217;s no easy thing to keep several thousand semi-wild animals together in a relatively small area. The girls directed the dogs with the musical command words that the Lapps use in reindeer herding. The dogs streaked out in every direction, but if one did something wrong or sowed confusion in the herd, it was called back with a yell that could wake the dead. When you&#8217;ve heard the Lapps work with the herd, you can well understand why they often have such weak hoarse voices in ordinary speech. It&#8217;s because they use them to their full capacity in reindeer herding, when the dogs are commanded and called back. The voice has to cut through a long distance and an unbelievable roaring. (Perhaps they also save their voices half unconsciously for the times when they truly need them). In addition, those who work with reindeer must be lightning quick in thought and action. Even if the herd is in flight, they must seize the moment and let the lasso fly if they&#8217;ve glimpsed an animal to be captured. The rope is cast and then coiled up, ready for the next throw. They also need to keep a sharp eye on the dogs, and scout out particular reindeer in the swarming confusion. A bad or untrained dog can cause a great disturbance in his mistaken zeal, charging into the middle of the herd, which then spreads out like chaff in the wind. Angry words rain down upon the dog; he slinks off in shame, followed by the fiercest curses and furious looks. When there&#8217;s time, he also gets a beating if he&#8217;s done something truly wrong. However the Lapps have a rule that you shouldn&#8217;t strike and scold at the same time, only one thing at a time. That&#8217;s because you need to be careful not to insult the dog. If an otherwise competent dog feels affronted by someone who, in his opinion, has treated him too roughly, it can happen that the dog suddenly sits down and looks at things without budging, however much his owner commands. Only kind words and friendliness can soften him up then, so he&#8217;ll take up his work again, though a sit-down strike can last as long as a whole day. Some dogs are lazy and can only be bothered to jump in a pinch; others are all excitement, with shining eyes, and each muscle tensely following the movements of the reindeer. Sometimes one animal breaks away from the herd. That reindeer has a panting dog at its heels, a dog that keeps up until he sees his chance, and cuts in front of the reindeer and forces it back. Often the reindeer itself abandons its flight and returns to the herd. More or less serious quarrels occur between the reindeer and the dogs. 
</p>
<p>
I saw such a small clash between Benno and a large male reindeer. Benno belonged to our neighbor&#8217;s tent; he was blind in one eye, deaf as a post, stump-tailed, toothless and very old, but was he a dog! And although he had only one eye, he had that one; he didn&#8217;t need to hear. Benno knew his work and needed no commands. He was on the go from morning until night, even though it was hard on the old legs. He chose his post at a spot high enough that he could oversee the section of the herd that lay within his ability to reach. He worked on his own without a master, and the reindeer had respect for him (reindeer recognize the dogs and have varying degrees of respect for them depending on how skillful they are). But, once, things went awry for Benno. A large bull reindeer had broken out of the circle and Benno had brought it back, but in his zeal to serve he kept barking and nipping at it until they returned to the herd. At that the reindeer grew insulted and whipped around, got the dog under him, and thrashed his old body, so you could hear the blows. Proudly the bull returned to the herd. Benno didn&#8217;t make a sound, but limped quietly over to his place. A little while later he was at work again and probably had forgotten the ignominious scene. In his younger days Benno wasn&#8217;t for sale for love or money; such a dog outweighs the work of several people.
</p>
<p>
When the marking was finished, the herd rested and grazed; afterwards they migrated toward the Norwegian border, followed by the herders and dogs, who would guard the herd this summer over in Norway.
</p>
<p>
ONE DAY NILSA CAME RUNNING, flung the door opened and cried, <i>&AElig;llo boatta, &#269;ana b&#339;dnagid gidda</i>! &#8220;The herd is coming, tie up the dogs!&#8221;
</p>
<p>
The whole camp sprang to life. You heard the tent doors continuously flapping open, falling back against the tent as the children and adults hurried off. In the neighbor tent they were sitting and eating, but when they heard the call, everyone ran out and away. The oldest of the children, a seven-year-old boy, snatched up his lasso and said, &#8220;Food is good, but the herd is better,&#8221; after which he shot like an arrow through the forest.
</p>
<p>
It was only a lesser separation of the herd, which was being gathered in an open field in the forest for a couple of hours; still, the usual tasks would be carried out: milking, castrating, and butchering.
</p>
<p>
The corral itself lay almost a mile away. For several days the women went up in vain with their milk buckets. The herders hadn&#8217;t succeeded in getting the reindeer to come down to it, but finally, for some days in a row, the herd came into the corral. 
</p>
<p>
We started off from the tents at seven in the morning, but when we got up there, we couldn&#8217;t hear either people or reindeer. A camp fire was started in the thin edge of the forest where the leaves were already gold with frost, even though we were in the middle of August. We passed the time in coffee drinking and merriment. Then we heard from afar dogs baying loudly and the hollow thunder that always heralds the coming of the large herd.
</p>
<p>
Everyone jumped up and began to scan the mountains in the direction of the sound. Up there the herd looked like turbulent gray dots. It came nearer quickly and at furious speed the living mass rushed down over the mountain side like a hailstorm. The women practically sparkled with delight and excitement. Everyone hurried to take up a guard position, so the reindeer had to go through a funnel of people and were chased into the corral through a relatively narrow opening. It was closed off quickly with chopped-down birch trees, which lay ready. Everyone slipped in; only the dogs were kept out. They stood for a while with tongues hanging out, trembling with eagerness and strain after their hasty downward rush.
</p>
<p>
The reindeer inside the corral galloped at full speed with their little white tails in the air and their heads thrown back. They ran round and round like horses in a circus&#8212;counterclockwise, as is their habit. Gradually, they grew much quieter.
</p>
<p>
Now the lassoes whistled; an <i>alddo</i> (reindeer cow) was caught, the noose was loosened and placed like a halter around her head. If the <i>alddo</i> is particularly wild and unruly, she&#8217;s tied to a tree or tree stump. If she&#8217;s tamer and used to being milked, the husband stands holding her with his lasso while the wife milks. Men and boys creep around to sneak up on the animals, and the women are ready with the <i>nappe</i> (milking cup).
</p>
<p>
The sun shone, the high snowfield glittered, and the golden leaves made a splendid background for the colorful lives in the corral, where everything was in movement. The Lapps were in their true element here. This was pure entertainment for them and working hard the happiest kind of play. There was milking and ear-marking; calves were slaughtered and bulls castrated. But in spite of all the grappling with the half-wild animals, not a single coarse or hard word could be heard, and there was no sign of violence. These were tasks they&#8217;d mastered and they were carried out deftly and powerfully, without unnecessary flailing about.
</p>
<p>
Many of the small dark three- or four-month-old calves had to lose their lives. August and September is the right time to take the skin for fine furs. The Lapps, like other people, show their prosperity by wearing beautiful clothes; such a single-colored dark fur garment of <i>borgge-nakke</i> (freshly killed skin) is quite elegant. The poor don&#8217;t have enough calves to be able to pick and choose between colors; they must take light and dark together, whatever they have, and that naturally makes the fur less attractive. 
</p>
<p>
At the end of the afternoon the reindeer were released from the corral. They took immediately to the mountains, except for the alddos who had lost their calves; they ran looking and calling inside and outside the corral. Sometimes they stopped, listened intently and looked to every side; then they began running again grunting and searching. In that manner they grieve for three days, the Lapps say, and they stay at the site where they last saw their calves. After that they seek out the rest of the herd.
</p>
<p>
The slaughtered calves are flayed and their guts removed, both of which take place outside the corral. All the meat and other parts of the reindeer are wrapped in fresh birch twigs and loaded on draft reindeer that had just been rounded up. The women wrapped the dried jerky in scarves and, for the same purpose, brought out the <i>&#269;almas</i> holding fresh reindeer milk and carried it on their backs. The pack train set off homewards. A Lapp had taken a young bull on a lead to slaughter him at home by the tent. The bull was untamed and in a complete rage; it took both skill and strength to tow the wild animal forward between the trees and rocky outcroppings for a whole mile. The path of the Lapp and the bull was very irregular; ultimately they disappeared far ahead of us. The reindeer pack train stepped sedately behind, with people and dogs. Now came the reaction to an exhausting day; everyone was rather silent and tired. Little by little it grew dark and the stars came out. It was late when we finally glimpsed the glowing tents far below. Inside sat those who&#8217;d stayed home, longing for news of the herd and for fresh reindeer meat.
</p>
<p>
<b>Christmas in Lapland, 1907</b>
<br />
Emilie Demant Hatt
<br />
Translated from the Danish by Barbara Sjoholm
</p>
<p>
Christmas Eve dawned with a temperature of minus forty (Celsius). Inside the tent we couldn&#8217;t see each other for a fog of frost and the tent was white with frost on the inner walls, in spite of the huge fire. When the thermometer sinks to such a low temperature this fog appears&#8212;hot steam from the fire mixes with the ice-cold air coming down from the smoke hole above and pouring under the bottom edge of the tent.
</p>
<p>
Outside the sky was completely clear, quite unearthly clear in the half-light of the middle of the day. I went out into all that silent white and followed a single ski track that turned north, away from the tents. After an hour&#8217;s time, the tents, the forest, and all sound from there was gone. Everything was white, white&#8211;&#8211;not cold chalk white, but glittering, like pale hyacinths. The colors of the air sank over the earth. In the west, Tavanj&#252;nje Mountain climbed sheer and solitary; the steep slope in the north lay in lilac and shadow, while the south side sparkled faintly like mother-of-pearl.
</p>
<p>
The ski track ended in a little scrub-covered rise in the terrain; ah yes, it was here that the children had their grouse snares. Fortunately no grouse were trapped. If a white bird had been flapping in the snow I would have let it go with a clear conscience.
</p>
<p>
I went farther through the stillness. It seemed almost uncomfortable, hearing the skis gliding over the snow, and I stopped. All sound ended immediately. Only in my head did the blood whistle with a faint crackle. Then from far off came the sound of a reindeer bell. The herd was going up around Tavanj&#252;nje. Immediately I believed, in my Christmas mood, that it was the sound of a church bell, which wouldn&#8217;t have been a good thing. The Lapps say that he who hears a church bell in the wilderness will die the same year.
</p>
<p>
No, the sound of holiness doesn&#8217;t reach into the wilderness, where the underground beings live. The church and its believers leave us alone here. And just as I stood there, I heard a weak but clear half-humming song deep under the snow. I listened for a long time and the silence made it possible for me to make out plainly where the sound came from. There must have been a reasonable explanation&#8212;probably a spring hadn&#8217;t frozen far below. I stuck my ski pole to the bottom; it was completely dry when it came up, but the sound stilled at the same moment and I continued on after having waited a little.
</p>
<p>
When I returned to the spot, I heard the faint singing again. Afterwards I told Sara about it and she said, &#8220;You&#8217;ve heard the underground beings, the Uldas. That&#8217;s unusual during the winter.&#8221;
</p>
<p>
Now the forest with the tents became visible again. The smoke lay in long curves throughout the trees like the finest elven web. The sound of axes rang out everywhere; all were busy chopping wood, which needed to last over both holidays in great cold. Soon the stack would be high enough and everything ready. The twilight had already set in, even though it was only a little past one. 
</p>
<p>
However, the abundant wood cutting was the only thing that indicated a major holiday approaching. The children were given repeated admonitions not to make noise or run around the tent: no loud voices or wild play. You need to be very careful and quiet when &#8220;the evil one&#8221; is out and is looking for sinners, as a big holiday approaches, particularly <i>ruotta &#339;ked</i>, Christmas Eve.
</p>
<p>
Turi and Inga chopped wood and I joined in to keep warm. It was so cold that every little downy hair on your face stood up like a quill and if you blinked, your lashes froze together in a split second. The evening by the fire could feel long; you had to sit there idle for many hours. The holiday and cold brought all activity to a halt.
</p>
<p>
Where there was enough wood, the white pieces of birch were arranged in a nice-looking pile. The twigs were placed in the same way so that no branch stuck out, and the camp cleared of tree litter. It was Turi who gave orders and himself helped out. Before he went inside, he set up a very long birch branch next to the trees where wood was chopped. Later I realized the branch was for <i>Stallo</i>, who could tie up his caravan here, when he went inside on Christmas Eve, after his custom, to see whether all was in order in the manner it should be. He&#8217;s thirsty after his travels and drinks water; that&#8217;s why the kettle needs to be full the night before Christmas. If it&#8217;s not, he sucks out the brains of the youngest child in the tent with an iron pipe (it&#8217;s usually the task of the children to fetch water).
</p>
<p>
As the day darkened the camp fell into deep silence, as if all sound had frozen away. The chopping of the ax had ceased. No human voices, no dogs barking. The only living thing was a thick, spark-filled smoke that billowed out the smoke holes from the large fires in the tents. 
</p>
<p>
When Nikki came home in the afternoon from the herd, he brought with him a dead reindeer that he&#8217;d found just after a wolf had killed it.
</p>
<p>
&#8220;The <i>navdde</i> (the wolf) wanted to have himself a <i>ruotta-males</i> (Christmas dinner),&#8221; said Inga, but she was shushed by Sara. It was better not to speak of dangerous things at the most dangerous time of the year. Old gray-legs had been particularly evil that day; many in the community had to provide reindeer for his Christmas meal. Little Oula, a nine-year-old neighbor boy with overflowing spirits had been especially loud during the day&#8217;s play, hooting and shouting, so that Sara had often scolded him. Now he was the subject of her harsh reproaches. The dead reindeer proved how dangerous it was to make noise so close to the holiday. The boy took on a skeptical attitude and accepted his talking-to with equanimity. But Sara was in a bad mood; one of her best reindeer cows now lay bloody and torn apart.
</p>
<p>
Nikki pulled it behind the <i>boa&#353;&#353;o</i>, where all the butchering took place; a little later he came in with the steaming entrails in a large bowl. Afterwards, against all usual custom, he dragged the dead reindeer inside the tent to skin it and cut it into pieces. Outdoors everything would have frozen between his fingers.
</p>
<p>
The Christmas tent wasn&#8217;t cozy. First: there was the dense, clammy fog of frost and frost fog, which almost prevented any feeling of being indoors; Nikki, with his bloody work; the dead reindeer, whose large, dulled eyes created such a dismal mood; and Sara, silent and cross, she who was always good-humored. The children weren&#8217;t to be seen; they were probably in another tent, where the mood was livelier. They only returned home in the evening.
</p>
<p>
The food kettle was hung over the fire, but it didn&#8217;t lift our spirits to see that Nikki had filled it with meat from the reindeer killed by the wolf. This sort of meat is quite bad, in part because the actual bite of the wolf has a sharp taste, the Lapps maintain. Additionally, this reindeer was skinny, and lean reindeer meat is never a delicacy.
</p>
<p>
I asked Sara&#8217;s permission to bring inside a small spruce tree and to set it on the hearth and light it with the Christmas candles I&#8217;d gotten in one of my packages. The children were quite excited about the idea but Sara sternly rebuffed our pleas: &#8220;People shouldn&#8217;t have those sorts of amusements on Christmas Eve.&#8221; 
</p>
<p>
We had to be satisfied with the Christmas lights provided by the fire, the moon, and the stars. It was so cold that many particles of ice in the air were visible, as a rainbow-colored ring around everything that shone. Such a large, colored ring was around the moon, the large stars, and around some of the flames in the fire. I planted a candle in the snow on a little spruce outside the tent. It stood there with its halo, burning fine and quiet in the large forest, but it was so cold I couldn&#8217;t hold out long enough to see it melt down. 
</p>
<p>
In this paralyzing cold and the endless dark, it was like standing apart from earth, exposed to the icy rays of the universe, surrounded by a dead nothingness that spread its horror over a poor night-black globe, where here and there a small clump of skin-clad people gathered around a fire in the deep snow.
</p>
<p>
But even though it was Christmas Eve and far below freezing, the herders had to go out to the herd if they didn&#8217;t want to risk being without reindeer the next day, the way the wolves were hunting. Nikki had been out during the day. Now it was Inga&#8217;s turn to take the night watch. She got up, snatching her fur-lined leather gloves, called to the dog and as she went out she tied her cap under the chin. All of these things were preparations for the long night.
</p>
<p>
It was cold for the two who left, but it was no warmer or more comfortable for those who sat at home. 
</p>
<p>
Shortly before the meal was served, Turi disappeared to his sister&#8217;s tent, where they probably weren&#8217;t having &#8220;wolf meat,&#8221; for supper on Christmas Eve. We gathered, meanwhile, around the food and served ourselves from the dishes there, but the meal was passed in deep silence and when we were finished, everyone took off their gloves and began to straighten the bedding.
</p>
<p>
Sara, who was occupied with something at the hearth, suddenly exclaimed, &#8220;No, I&#8217;ve never seen anything like it before&#8212;long icicles hanging down off the wood burning on the fireplace!&#8221; It was a hot steam pouring out of the new wood that had momentarily frozen. 
</p>
<p>
Christmas night was a cold one to get through; in spite of the fur-lined boots and dry hay, your feet felt like blocks of ice. The water kettle was solidly frozen and made creaking noises; the trees outside groaned with the cold. Little Nilsa walked in his sleep and sat down by the door, but Sara woke and got the boy tucked under the covers again. 
</p>
<p>
&#8220;I thought it was the <i>Christmas-Stallo</i> who&#8217;d come into the tent, when I saw you sitting over there by the door,&#8221; said Sara in the morning, when she told us about it.
</p>
<p>
I couldn&#8217;t sleep well with my face under the covers, and so I used to wrap my head in a woolen shawl. It was quite uncomfortable to wake in the morning with this garment covered in ice over my face; the shawl always froze stiff from my breath, so it had to be pried apart. If you pulled the mosquito netting around you, for warmth&#8217;s sake, you lay there in a small snow-house in the morning. Inside everything was white with thick frost crystals. The dogs too were white with frost; their breath frozen. Our little puppy had now grown up to such an extent that he decided on his own where he wanted to sleep, and he&#8217;d chosen a spot under my chin. There he lay with his head near my face so that my breath could keep him warm. Often when the temperature dropped, I was awakened by the puppy sticking his ice-cold little snout completely against my nose under the shawl. Even after the puppy grew up to be large and strong, he kept his spot. 
</p>
<p>
It was eight in the morning when Inga and her dog Rill came home, chalk white with frost and snow and with long icicles in their hair. No one wished her &#8220;Merry Christmas.&#8221; No one said anything at all. The mountain folk aren&#8217;t troubled by sentimentality; no one uttered a word about it having been a difficult Christmas night for the young girl. She knocked the snow and frost off her clothes at the door, hung up her gloves, and sat down silently to wait for morning coffee, while Rill lay down in front of the fire, zealously picking the lumps of ice from his coat and licking his exhausted legs.
<br />

</p>
      ]]></content>
    </entry>

    <entry>
      <title>Bicycle Recycler</title>
      <link rel="alternate" type="text/html" href="http://www.orionmagazine.org/index.php/articles/article/3055/" />
      <id>tag:orionmagazine.org,2008:index.php/2.3055</id>
      <published>2008-08-13T12:44:00Z</published>
      <updated>2008-08-07T13:31:48Z</updated>
      <author>
            <name>
by Peter Friederici
</name>
                  </author>

      <category term="Sustainability / Stewardship"
        scheme="http://www.orionmagazine.org/index.php/site/C17/"
        label="Sustainability / Stewardship" />
      <category term="Making Other Arrangements"
        scheme="http://www.orionmagazine.org/index.php/site/C48/"
        label="Making Other Arrangements" />
      <content type="html"><![CDATA[
        <p>PUERTO LOBOS, SONORA&#8212;What goes around comes around, whether in a healthy natural community or a balanced human economy&#8212;or with a well-trued bicycle wheel. In the human ecosystem that makes up Puerto Lobos, Sonora, there are plenty of detritivores, mechanics with a genius for patching mangy cast-offs from north of the border through another season of sand roads and salt air. But Elson Miles occupies a different niche. Since 1989, when he sold his bike shop in Arizona and began spending increasing amounts of time on this desert coast, he&#8217;s been the manual-powered detritivore who keeps the place rolling&#8212;on two wheels.
</p>
<p>
Miles, who is tall, genial, and slightly scruffy, has a finely honed scavenging instinct and a messianic view of bikes. His yard in Flagstaff is chock-full of his raw materials: frames, wheels, chains. You can often find him there, piecing together polished new machines out of the myriad discards he finds in an era when a bicycle, to many an owner, is simply another artifact of planned obsolescence.
</p>
<p>
He sells some, on the cheap, to those who need them locally: college students, poor Hispanic kids who need to get to an after-school job. But every time he heads south he takes along a half-dozen or so&#8212;as many as he can get through the border without raising too many questions. And then, in Puerto Lobos, he converts what was once discarded into useful transportation, and into a sort of social glue. The kids come by his place on their way to school in the morning: their tires are low. They come back in the afternoon: another goathead seed has caused a flat. That&#8217;s no cause for lament; it&#8217;s a reason to stop by. Only a dull ecosystem, after all, lacks frequent interactions between its components.
</p>
<p>
After some years of this, Puerto Lobos, among Mexican fishing villages, now has an inordinate number of bikes. And Miles has become part of the town. He&#8217;s not just any gringo anymore. His place has become <i>el taller</i>, the bike workshop.
</p>
<p>
Knowing something of economic imbalances between north and south, he used to give them away, only to find that a freebie seldom prompts the sort of caring that paid ownership does. And so he sells each re-cycled bike now, even if for only a peso, to a fisherman&#8217;s young son or daughter.
</p>
<p>
&#8220;A bike needs an owner, a responsible caretaker,&#8221; he says. He loves to see that someone ride off&#8212;a pleasing image, no matter how often repeated, that fills what he calls his &#8220;feel-good niche.&#8221; He knows that owner, no matter how responsible, will be back before too long: for air in the tires, for a tweaking of the brake cables, a greasing of the chain, a shooting of the salt breeze.
</p>
      ]]></content>
    </entry>

    <entry>
      <title>Making Other Arrangements</title>
      <link rel="alternate" type="text/html" href="http://www.orionmagazine.org/index.php/articles/article/3054/" />
      <id>tag:orionmagazine.org,2008:index.php/2.3054</id>
      <published>2008-08-13T12:41:00Z</published>
      <updated>2008-08-07T13:32:46Z</updated>
      <author>
            <name>
by Orion readers
</name>
                  </author>

      <category term="Making Other Arrangements"
        scheme="http://www.orionmagazine.org/index.php/site/C48/"
        label="Making Other Arrangements" />
      <content type="html"><![CDATA[
        <p>In this issue: <br><br>
<br />
<a href="http://www.orionmagazine.org/index.php/articles/article/3055/ " title="Bicycle Recycler">Bicycle Recycler</a><br>
<br />
<a href="http://www.orionmagazine.org/index.php/articles/article/3056/ " title="Environmental Self-Defense">Environmental Self-Defense</a><br>
<br />
<a href="http://www.orionmagazine.org/index.php/articles/article/3057/ " title="Running on Wind and Sun">Running on Wind and Sun</a>
<br />
<br>
<br />
<blockquote><p>In the face of climate change and energy challenges, what creative ways are you finding to forge healthy and durable lives and communities? Send submissions&#8212;five hundred words or fewer&#8212;to <i>Orion</i>, 187 Main Street, Great Barrington, MA 01230, or via . Submissions become property of <i>Orion</i>.</p></blockquote>
      ]]></content>
    </entry>

    <entry>
      <title>Uncertain Future</title>
      <link rel="alternate" type="text/html" href="http://www.orionmagazine.org/index.php/articles/article/3044/" />
      <id>tag:orionmagazine.org,2008:index.php/2.3044</id>
      <published>2008-08-13T12:21:00Z</published>
      <updated>2008-08-05T12:56:53Z</updated>
      <author>
            <name>
Text and photographs by Benjamin Drummond and Sara Joy Steele
</name>
                  </author>

      <category term="Climate Change"
        scheme="http://www.orionmagazine.org/index.php/site/C5/"
        label="Climate Change" />
      <category term="The Art Of Living"
        scheme="http://www.orionmagazine.org/index.php/site/C20/"
        label="The Art Of Living" />
      <content type="html"><![CDATA[
        <p><b>Click on the first image above to launch slide show with captions.</b>
</p>
<p>
REINDEER HUSBANDRY has supported civilization across the Eurasian Arctic and subarctic for thousands of years. As the semi-nomadic S&aacute;mi herdsmen of northern Norway face irreversible impacts from global warming, more immediate challenges hinder their ability to adapt. Herders are accustomed to the highly variable Arctic environment. But they now face changing climate conditions and privatization by oil companies, mining operations, and residential construction, all of which limit their ability to keep their animals &#8220;exactly in the right place at the right time,&#8221; says Niklas Labba, a S&#225;mi herder. &#8220;I think that there are problems bigger than global warming, more immediate and more important to look at. But in the long term, global warming is the most important thing, because if you want to have reindeer herding in one hundred years, you must have the nature and the conditions to herd the reindeer.&#8221; 
</p>
<blockquote><p><i>A note from the editors: In March 2008,</i> Orion<i> co-sponsored the second annual Our World portfolio review, which is hosted by PhotoAlliance, a San Francisco&#8211;based nonprofit dedicated to photography. Thirty-five reviewers and more than sixty artists from across the country participated. A select subcommittee of reviewers from various backgrounds granted the inaugural</i> Orion/<i>PhotoAlliance Award to Benjamin Drummond and Sara Joy Steele for their ongoing project &#8220;Facing Climate Change.&#8221; The committee&#8217;s decision was unanimous. &#8220;We see a lot of global warming projects,&#8221; said </i>Orion <i>picture editor Jason Houston. &#8220;&#8216;Facing Climate Change&#8217; stands out not only at this review, but among them all.&#8221;</i></p></blockquote>
<p>
These pages include a selection from one aspect of the portfolio: S&aacute;mi reindeer herdsmen. For additional elements of the climate change portfolio <a href="http://www.orionmagazine.org/index.php/articles/article/3113/ " title="click here">click here</a>. 
<br />

</p>
      ]]></content>
    </entry>

    <entry>
      <title>Climate Change Portfolio</title>
      <link rel="alternate" type="text/html" href="http://www.orionmagazine.org/index.php/articles/article/3113/" />
      <id>tag:orionmagazine.org,2008:index.php/2.3113</id>
      <published>2008-08-13T11:25:00Z</published>
      <updated>2008-08-06T19:12:25Z</updated>
      <author>
            <name>
Photographs by Benjamin Drummond and Sara Joy Steele
</name>
                  </author>

      <category term="Climate Change"
        scheme="http://www.orionmagazine.org/index.php/site/C5/"
        label="Climate Change" />
      <category term="Web Exclusive"
        scheme="http://www.orionmagazine.org/index.php/site/C35/"
        label="Web Exclusive" />
      <content type="html"><![CDATA[
        <p><a href="http://www.orionmagazine.org//static/climatechange/index.html" target="_blank" onclick="window.open(this.href,this.target,'width=750,height=650,left=' + ((screen.width - 750) / 2) + ',top=0,resizable'); return false;"  title="Climate Change Portfolio" style="border: 0;"><img src="http://www.orionmagazine.org//static/climatechange/intro_on.jpg"  style="border: 0" id="launch" /></a>
</p>
      ]]></content>
    </entry>

    <entry>
      <title>Looking Away from Beauty</title>
      <link rel="alternate" type="text/html" href="http://www.orionmagazine.org/index.php/articles/article/3058/" />
      <id>tag:orionmagazine.org,2008:index.php/2.3058</id>
      <published>2008-08-05T12:59:00Z</published>
      <updated>2008-08-04T14:33:29Z</updated>
      <author>
            <name>
by Rebecca Solnit
</name>
                  </author>

      <category term="Activism / Conservation"
        scheme="http://www.orionmagazine.org/index.php/site/C4/"
        label="Activism / Conservation" />
      <category term="Culture and Society"
        scheme="http://www.orionmagazine.org/index.php/site/C7/"
        label="Culture and Society" />
      <category term="From the Faraway Nearby"
        scheme="http://www.orionmagazine.org/index.php/site/C32/"
        label="From the Faraway Nearby" />
      <content type="html"><![CDATA[
        <p>EVERY FOUR YEARS I marvel all over again at those bodies honed like precision instruments to defy the bounds of human ability, those people flying with graceful force over hurdles, off diving boards, into somersaults in midair, speeding down tracks, slicing through water. The athletes&#8217; bodies are relentlessly particular, concrete, personal, and tangible: the reality of flesh, of heart, of effort, of this tense face, that muscled arm, that DNA, and that training and determination. This is why it&#8217;s so peculiar that the Olympics suspend these bodies in an abstracted superstructure of nationalism, as though this feat of balance really had something to do with Austria, that burst of power really represented Japan. 
</p>
<p>
The elegant sinewiness of a sprinter, the coiled power of a diver, has little to do with the abstraction called nationhood, except that the sprinter or diver is being put forward as the public face of his or her nation&#8212;or the mask. There are other faces to nationhood. We live in an era where truth is most often found by looking away from the spectacle presented to us. Corporations consciously choose their masks: BP claims to care about climate change; Chevron had its &#8220;People Do&#8221; advertisements of the 1990s, in which the oil giant advertised its noble deeds (often obligatory environmental mitigations that cost a tiny fraction of the company&#8217;s earnings). Chevron doesn&#8217;t want you to see that the toxic emissions of its Richmond, California, refineries make the mostly poor, nonwhite people living nearby seriously ill. Or its complicity in human rights violations in Africa, Asia, and South America. Then there&#8217;s Nike, one of many apparel manufacturers that would rather you think about the celebrity spokesperson or anonymous Adonis than the sweatshop workers who, in all their bodily misery and deprivation, have infinitely more to do with the product. In the same way, nations have infinitely more to do with prisons, laws, and foreign and domestic policies than athletes. 
</p>
<p>
Sports bring us the human body as a manifestation of nature&#8212;not just the elegant forms of athletes, but their animal ability to move through air and water. At the Olympics, these bodies are co-opted by a political culture that wants to be seen as natural, legitimate, stirring, beautiful. Beautiful bodies are just one kind of nature that nations like to claim. After all, this country invented the idea of &#8220;national&#8221; parks and claims the sublimity of the Grand Canyon (which preceded it by hundreds of millions of years) and all those purple mountains&#8217; majesty as part of its identity. Corporations too like pristine landscapes, particularly for advertisements in which an SUV perches on some remote ledge, or a high-performance car zips along a winding road through landscape splendor. Few car commercials portray gridlock or even traffic&#8212;that your car is just a car among cars&#8212;let alone the vehicle&#8217;s impact on those pristine environments. Of course most of us have become pretty well versed in critiquing advertisements as such&#8212;we assume they are coverups if not outright lies. But the Olympics have not been subjected to the same level of critique.
</p>
<p>
On August 8, the Beijing Olympic Games will begin, and television will bring us weeks of the human body at the height of health, beauty, discipline, power, and grace. It will be a thousand-hour advertisement, in some sense, for the participating nations as represented by athletes with amazing abilities. In reality, the athletes will be something of a mask for what each nation really stands for, and this year the Olympics as a whole will be as much a coverup as, say, the Mexico City Olympics of 1968, which came hot on the heels of the Tlaltelolco Plaza massacre of students, or the 1936 Berlin Olympics, which gave the Nazis legitimacy as they turned Germany into an efficient totalitarian death factory. Ironically, the 2008 summer Olympics begin on the twentieth anniversary of the 8888 (for 8/8/1988) Burma uprising against the brutal military dictatorship that has controlled that country, with crucial backing from China, for more than four decades now. The Chinese government is also busy terrorizing Tibetans protesting for religious freedom and liberation of their colonized country; it is also the main protector of the Sudanese government carrying out a holocaust in Darfur.
</p>
<p>
It serves the nations of the world to support the exquisitely trained Olympian bodies, and it often serves their more urgent political and economic agendas to subject other bodies to torture, mutilation, and violent death, as well as to look away from quieter deaths from deprivation and pollution. In the struggles for land and resources&#8212;for Chinese control of Tibet, and for the petroleum fields of Sudan and the timber and mineral wealth of Burma&#8212;bodies are mowed down like weeds. The celebrated athletic bodies exist in some sort of tension with the bodies that are being treated as worthless and disposable. 
</p>
<p>
At the 1968 Olympics in Mexico City, two young African Americans from San Jose State University won first and third place in the two-hundred-meter dash, gold medalist Tommie Smith setting a world record in the process. On the podium, receiving their medals alongside Australian silver medalist Peter Norman, they gave the Black Power salute. Bronze medalist John Carlos wore beads that signified the lynchings of his fellow African Americans. They were shoeless to represent black poverty. Norman joined them in wearing Olympic Project for Human Rights badges. Their actions suggested that great bodily gifts could not be separated from bodily suffering, or conscience. It was a beautiful moment, one of the iconic moments of the 1960s. As athletes, they had represented their country magnificently; as human beings they had testified to the complexity of that nation and their place in it. 
</p>
<p>
In response, International Olympics Committee President Avery Brundage banished the two men from the rest of the games and a spokesperson called their act &#8220;a deliberate and violent breach of the Olympic spirit.&#8221; The Olympic spirit by this measure insists that athletes be bodies without minds and hearts. But the insistence that athletes not &#8220;politicize&#8221; the Olympics is really an assertion that the politics of the Olympics be determined by governments, not movements and individuals, most particularly not participating athletes. When authorities say we should not politicize something, they mean that the politics of the status quo should not be questioned. Fortunately, people nowadays have become more skeptical of masks and more sophisticated at connecting the dots. 
</p>
<p>
The global route of the Olympic torch this spring was interrupted again and again by human rights protests, so that rather than a triumphal tour, the relays seemed to be a flight from principle and responsibility with activists in hot pursuit. The athletes, too, have refused to be silent. Some joined Team Darfur, &#8220;an inter-national coalition of athletes committed to raising awareness about and bringing an end to the crisis in Darfur&#8221; cofounded in 2006 by speed skater Joey Cheek and water poloist Brad Greiner. This will be the invisible competition at the games: between the official desire to strip athletes of any meaning their country does not superimpose on them and the desire of some athletes to give true meaning to their acts. 
</p>
<p>
Bodies in peak condition performing with everything they&#8217;ve got are an image of freedom, as are pristine landscapes like Yosemite and the Tetons. But the reality of freedom only exists when these phenomena aren&#8217;t deployed to cover up other bodies that are cringing, starving, bleeding, or dying, other places that are clearcut, strip-mined, and contaminated. Television coverage of the summer Olympics probably won&#8217;t cut away from those sleek athletes to the charred bodies of massacred villagers and the anguished faces of young gang-rape victims in Darfur, or the bloodied heads of young monks and uncounted corpses and prisoners in Burma and Tibet. But the associations between the two are crucial to our sense of compassion, and of what it means to be a part of a global community.&nbsp;
</p>
      ]]></content>
    </entry>

    <entry>
      <title>Landscape Totems</title>
      <link rel="alternate" type="text/html" href="http://www.orionmagazine.org/index.php/articles/article/3042/" />
      <id>tag:orionmagazine.org,2008:index.php/2.3042</id>
      <published>2008-08-05T12:14:00Z</published>
      <updated>2008-08-04T17:42:21Z</updated>
      <author>
            <name>
Paintings by Sam Scott, text by Peter Nabokov
</name>
                  </author>

      <category term="Spirit"
        scheme="http://www.orionmagazine.org/index.php/site/C15/"
        label="Spirit" />
      <category term="The Art Of Living"
        scheme="http://www.orionmagazine.org/index.php/site/C20/"
        label="The Art Of Living" />
      <content type="html"><![CDATA[
        <p>WITH A NATION still exhibiting symptoms of post-traumatic stress over 9/11, the global ecosphere in a toxic tailspin, and witless leaders fear-mongering while the Earth burns, to what or whom can the imagination turn for succor and defense? For sixty-eight-year-old Sam Scott, a Santa Fe painter who has spent a lifetime offering visual praise to the landscapes of North Vietnam, Southern France, and especially his home turf of Arizona and New Mexico, the only commensurate answer has lain in new incarnations born of those selfsame ecologies. 
</p>
<p>
And so Scott has found himself summoning forth a company of chthonic megacreatures that might prove equal to this planetary challenge. Their gestation first took form as 10 x 7&#8211;inch pencil and watercolor sketches that astonished Scott himself with their insistent presence. Over time, these somehow mournful homunculi swelled into a veritable troupe of Earth protectors&#8212;huge entities that seemed like walking landscapes in their own right, their bodies composites of the very mesas, rain clouds, sunbursts, sheer cliffs, green growths, lightning strikes, tree stumps, rivers, and canyons for which it was their charge to suffer but also to safeguard. 
</p>
<p>
Beginning with <i>Seed Sower</i>, which was completed in March 2004, they have issued wet and full-blown as the boldest 80 x 54&#8211;inch oils Scott has ever channeled. Into this series of mytho-poetic portraits Scott poured everything he had learned about color, balance, and controlling the viewer&#8217;s eye. At the same time, he flaunted cardinal rules, as these primordial giants, fairly bursting with nature&#8217;s vitalities, strode into the very center of the picture plane: &#8220;solitary figures in a transcendental landscape,&#8221; as Scott put it. 
</p>
<p>
Over the last four years, new beings have joined their noble band, returning as if in a time of approaching ecological meltdown to restore their dominion. Scott&#8217;s mission is to envision them presiding over this world not simply for us, but as much on behalf of the stricken land itself&#8212;or, more accurately, for the wounded relationship between the two. It is for the ultimate &#8220;reconciliations between human beings and nature,&#8221; Scott has said, that these entities seem to be enduring their agonies and summoning their defiance.&nbsp; 
</p>
<p>
These fecund imageries have risen out of Scott&#8217;s southwestern homeland as if they had incubated at the Earth&#8217;s core. And indeed some of the mysterious dolmens bear striking resemblance to the ghostly pictographs of sentinel-like vertical figures that glow the color of dried blood off the sandstone walls of Utah&#8217;s Horseshoe Canyon. Nor is it hard to imagine their kinship to those native spirit intermediaries of the Pueblo Indian cosmos, otherwise known as masked kachinas, but whom the early regional writer Charles Lummis once dubbed &#8220;the true.&#8221;
</p>
<p>
Scott&#8217;s figures also evoke Native American guardians of equitable human-environmental relations from farther afield, such as the ancient Woge, or &#8220;immortals,&#8221; of northwestern California Indian mythology, whose guidance is still invoked during the great World Renewal ritual cycle of dances, when they emerge from the cedar forest to sway and leap as towering shadows behind fire-lit human dancers. Or they hearken to the stone-clad Algonquian giants of northern New England, especially the trickster-protector Gluskabe, who still awaits the day when white men have abandoned his lairs and haunts, gone back where they belong, and native values hold sway once more.
</p>
<p>
But much as today&#8217;s overriding threat of climate change has thrust local issues into globally fateful contexts, so have Scott&#8217;s artist-activist instincts caused him to knead this Earth-saving pantheon from the mud of wider archetypes and worldly lore. Within these pillars of pulsating energy are echoes of the fabled powers of such cultural forerunners as the Golem of Prague, that monstrous bodyguard, supernatural visionary, and heaven-sent avenger of wrongs against Jews; or Fudo Myo-o, that ferocious supernatural of Tendai Buddhism, who burns evil and saves the world; or the looming characters in Diego Rivera&#8217;s 1932 mural in the Detroit Institute of the Arts, which essayist Rebecca Solnit recently interpreted as &#8220;deities waiting to reclaim the world, insistent on sensual contact with the land and confident of their triumph.&#8221; 
</p>
<p>
Positioned against startlingly blue skies, so intimately close that we seem to be standing on their feet (which fall beneath the frame), this band of saviors offers tough reminders of the stakes and urgencies at hand. However we construe them, they symbolize our last best hopes in a world tumbling down. Call them &#8220;messengers,&#8221; as Scott now does, call them guardians or prophets or talismanic geomorphs summoned to some court of last resort. Today they number seventeen. Scott is not sure whether there will be any more. May they be sufficient to the task. 
</p>

      ]]></content>
    </entry>

    <entry>
      <title>Pesticide Drift</title>
      <link rel="alternate" type="text/html" href="http://www.orionmagazine.org/index.php/articles/article/3045/" />
      <id>tag:orionmagazine.org,2008:index.php/2.3045</id>
      <published>2008-07-24T11:33:00Z</published>
      <updated>2008-07-23T18:42:51Z</updated>
      <author>
            <name>
by Rebecca Clarren, Photographs by Christopher LaMarca
</name>
                  </author>

      <category term="Activism / Conservation"
        scheme="http://www.orionmagazine.org/index.php/site/C4/"
        label="Activism / Conservation" />
      <category term="Food &amp; Agriculture"
        scheme="http://www.orionmagazine.org/index.php/site/C11/"
        label="Food &amp; Agriculture" />
      <category term="Health"
        scheme="http://www.orionmagazine.org/index.php/site/C12/"
        label="Health" />
      <category term="Groundswell"
        scheme="http://www.orionmagazine.org/index.php/site/C21/"
        label="Groundswell" />
      <content type="html"><![CDATA[
        <p>TERESA AVI&#209;A won&#8217;t open the windows or door of her small apartment, despite a heat that plagues the soul. On the kitchen table, beside two jugs of bottled water, a small, green, electric fan pushes thick air around the room. 
</p>
<p>
&#8220;What good is the wind?&#8221; she asks, glancing out the window at the breeze that flutters the trees in her front yard. &#8220;It&#8217;s all poison.&#8221;
</p>
<p>
When Avi&#241;a, sixty-four, first moved to Huron, California, from Ensenada, Mexico, eleven years ago, the planes that swooped low in the sky, close to the roof sometimes, fascinated her. She&#8217;d run outside to watch them fly to the end of her block, where they would drop pesticides like rain onto the cotton fields below.
</p>
<p>
&#8220;I would go outside and look at them without fear. I didn&#8217;t know I could get sick,&#8221; says Avi&#241;a in Spanish. &#8220;Now when I see planes, I run inside and shut the windows. Now I worry about breathing the air. I worry about the kids playing outside.&#8221; 
</p>
<p>
<i>Todos los d&#237;as</i>, every day, Avi&#241;a says, she smells pesticides. She blames them for her headaches and dizziness, her nausea, for the cancer and miscarriages that have afflicted her neighbors. Like all of Huron&#8217;s seven thousand residents, she lives near <i>el campo</i>, the fields of tomatoes, cotton, lettuce, and melons that ring this cramped town in the heart of California&#8217;s San Joaquin Valley, the country&#8217;s most productive agricultural area. In 2006 Huron&#8217;s Fresno County, one of the valley&#8217;s eight counties, produced $4.85 billion worth of vegetables, fruit, and cotton. To foster such incredible fertility, growers sprayed nearly 32 million pounds of pesticides using planes, tractors, and irrigation pipe&#8212;enough to fill nearly six Olympic swimming pools.
</p>
<p>
Not all of these pesticides stay on the fields for which they&#8217;re intended; they may lace the air and drift throughout town onto, say, the playground or Avi&#241;a&#8217;s house. For the most part this isn&#8217;t illegal. Federal and state law only requires pesticide applicators to ensure chemicals don&#8217;t drift away from fields during or immediately after application. However, according to the California Air Resources Board, most pesticides volatize (turn from liquid to gas), and become prone to drift, within eight to twenty-four hours after application. Data produced by environmental groups, using statistics and risk assessment methodology from the Environmental Protection Agency, suggests that many of these drifting pesticides float into agricultural towns at unsafe concentrations.
</p>
<p>
In the past several years, Fresno County growers have applied pesticides an average of 273,000 times per year. The county&#8217;s Agricultural Commission has twenty-nine staff, each with a host of competing duties, to monitor these operations. Neighboring Tulare County has six people in its pesticide enforcement department to monitor an average of 210,000 applications per year. The California Department of Pesticide Regulation has a toll-free hotline for people to use to report pesticide drift&#8212;but it has limited funding to spread the word that such a telephone number exists.
</p>
<p>
Federal and state agencies have long assured the people who live in these communities that the pesticides pose no threat to their health, that although they may smell chemicals outside their homes, there&#8217;s no reason to assume they are in danger. But neither the federal Environmental Protection Agency nor state health agencies have launched any widespread epidemiological studies to investigate whether such statements are actually true. The absence of proof isn&#8217;t proof of absence, and many in the San Joaquin Valley see a willful blindness to potential health problems. And so for the first time in memory, the Mexicans and Mexican-Americans who inhabit this slice of the valley have stopped waiting for governments to notice them. In an effort to challenge health agencies to better protect them from pesticides, over the past three years a dozen or so individuals in the towns of Huron, Lindsay, and Grayson have taken air samples from their yards. Though they are organized by Pesticide Action Network North America (PANNA), a national environmental group, and supported by regional organizations such as Latino Issues Forum and Lideres Campesinas, it&#8217;s citizens such as Teresa Avi&#241;a&#8212;mostly uneducated and poor&#8212;who conduct the actual science of air sample collection. 
</p>
<p>
THE HISTORY OF ECONOMIC PROGRESS is generally written with a bold font, leaving the story of the related environmental and human costs to footnotes. In the San Joaquin Valley this tendency is pronounced. Huron, incorporated in 1951, was created to house agricultural workers who would make the desert bloom. Arguably, such places were never intended to be more than a footnote in the story of a stunningly productive agricultural industry. Huron, twelve miles east of Interstate 5, is a forgotten town of dusty, broken streets. There is no high school, no ambulance, no walking postman, and no grocery store of significant size. A main road into town floods almost annually with heavy rains, but the bridge promised by politicians for nearly twenty years has yet to be built. The city manager lives in Fresno, an hour away. What Huron does have is high rates of teenage pregnancy, domestic violence, drug use, and gangs. Nearly everyone here works in the fields and speaks Spanish. Locals estimate at least 70 percent of residents are undocumented, and of those who do have papers, many aren&#8217;t citizens. Only around eight hundred people are registered to vote. 
</p>
<p>
Across town from Teresa Avi&#241;a&#8217;s house, on a block that ends where tomato fields begin, live Siboney Cruz, her mother Frances Arguis, and Cruz&#8217;s five children. Visitors to their home are met by plaster that peels off the exterior wall, billowing pink curtains, and the persistent whine of a generator that powers an odd, capital I-shaped mechanical contraption. Situated just to the right of the front door, beneath an open bedroom window, this two-foot-tall device is a Drift Catcher. While her kids, who range in age from four to eleven, all big brown eyes and shy smiles, play hide and seek, Cruz, twenty-seven, takes a clipboard outside to check the machine. 
</p>
<p>
Powered by the generator, the vacuum cleaner&#8211;like mechanism sucks air into two glass tubes, each about the size of a cigarette. Airborne pesticides adhere to an absorbent resin filter that PANNA scientists will analyze at a lab at the University of California, Berkeley. Every day for two weeks, Cruz changes the tubes, noting temperature, wind direction, and any strong smells. Today the wind stirs a nearby cherry tree, and a sharp smell slices the air.
</p>
<p>
&#8220;I get headaches sometimes when I smell this, or I feel sort of frustrated all day,&#8221; says Cruz. Her round face is pock-marked and scarred, the result of a terrible rash she got several years ago after accidentally being sprayed by pesticides while she worked in the tomato fields. &#8220;We go to meetings and public hearings [about pesticide drift], but they don&#8217;t actually do anything. If [the government] would care about the community, they would do something about it.&#8221; 
</p>
<p>
The U.S. Environmental Protection Agency hasn&#8217;t created any federal standards for acceptable airborne pesticide exposure levels for those who live or work near sprayed fields. Dale Kemery, an EPA spokesperson based in Washington DC, explained in an e-mail that &#8220;most available monitoring data&#8221; suggests that exposure to airborne pesticides is far less of a health concern than drinking or eating these chemicals. He fails to mention that the EPA has only reviewed studies of volatilized fumigants&#8212;just five pesticides&#8212;to determine whether they may impact neighbors&#8217; health. The vast majority of active ingredients in pesticides&#8212;nearly a thousand chemicals&#8212;have not been similarly assessed. On the EPA website that describes how people may be exposed to pesticides, no mention is made of drift from nearby fields. 
</p>
<p>
State and county government officials also downplay the potential for health impacts. &#8220;Everything we do, whether it&#8217;s cattle with a methane gas problem or pesticides on our crops, everything&#8217;s polluting something,&#8221; says Karen Francone, deputy agricultural commissioner of Fresno County. &#8220;What&#8217;s our tolerance of it? I&#8217;m not here to answer that question. People wearing perfume really bugs me. The person who wears the perfume thinks it smells great. I might say, well, I&#8217;ll tolerate pesticides because I know it&#8217;s applied to a commodity so I don&#8217;t have worms in my fruit. It comes down to what&#8217;s a person&#8217;s tolerance.&#8221; 	
</p>
<p>
Says Karl Tupper, a San Francisco&#8211;based PANNA scientist: &#8220;To acknowledge there&#8217;s a problem would mean doing something about it, and doing something about it will be tough. It&#8217;s easier to assume that bystanders simply aren&#8217;t exposed to pesticides.&#8221;
</p>
<p>
In the absence of EPA analysis, PANNA has set out to create its own safety standards. Using EPA data and methodology, Susan Kegley, a former Berkeley professor of chemistry and a PANNA senior scientist, calculated how much of any pesticide a child can inhale without getting sick. The air samples that people have taken over the past several years in both Huron, where cotton and other row crops are grown, and Lindsay, a town ringed by thick groves of orange trees, showed daily evidence of exposure to chlorpyrifos and naled, both organophosphate pesticides, during the several-week-long sample period. Approximately 28 percent of the time, air samples in Lindsay were above &#8220;acceptable&#8221; exposure levels for a one-year-old child. 
</p>
<p>
Infant and prenatal exposure to organophosphate pesticides such as chlorpyrifos leads to significant mental and developmental delays, according to recent studies published in <i>Environmental Health Perspectives</i> and <i>Pediatrics</i>. In one 1998 study, four-to-five-year-old children in Mexico who had been exposed to pesticides suffered significant lags in development&#8212;they had more trouble catching a ball, drawing pictures of people, or performing simple tasks involving memory and neuromuscular skills. Other studies link pesticide exposure to autism, infertility, neurological disorders, cancer, and birth defects. 
</p>
<p>
Despite the steady drumbeat of government and industry assurances that such findings are no cause for worry, these reports do concern Drift Catcher operator Siboney Cruz and her mother, Frances Arguis. Most days, the abandoned field behind their house, once a landing strip for crop-dusting planes, becomes a makeshift playground where the kids play tag, duck-duck-goose and hide-and-seek. One of her boys, Adam, nine, has asthma, and when growers spray his wheezing kicks up. In fact, 30 percent of children in Fresno County have asthma, more than double the statewide rate, according to a 2005 survey conducted by the University of California, Los Angeles. &#8220;Every time you turn around, an unbelievable environmental justice issue slaps you in the face,&#8221; says Tracey Brieger, agricultural policy coordinator for Californians for Pesticide Reform, a nonprofit group based in San Francisco. &#8220;It feels like the valley is the center of the modern civil rights movement in the country.&#8221;
</p>
<p>
According to a 2003 study by Californians for Pesticide Reform, hundreds of thousands of Californians live in places where they&#8217;re exposed to pesticides that drift away from farms. Throughout the country, suburban development is consuming agricultural areas, creating communities on the edge of farmland, faster than at any time in history. &#8220;Very nice, white, middle-class people will find themselves in this same situation,&#8221; says Shelley Davis, executive director of the Farmworker Justice Fund, based in Washington DC. &#8220;We have this attitude that who cares about them. They&#8217;re brown and they&#8217;re poor. But this does not stay in the valley. You can&#8217;t throw this shit away; it doesn&#8217;t go away. DDT hasn&#8217;t been used since 1972 but it persists, it shows up in breast milk of women who weren&#8217;t even born in 1972. If you don&#8217;t want this to happen to you, you&#8217;d better stop it now.&#8221;
</p>
<p>
LUIS MEDELLIN LIVES IN LINDSAY, another poor community comprised almost entirely of immigrants, about an hour east of Huron in neighboring Tulare County. In the summer of 2006, he and eleven others from Lindsay volunteered to collect their urine every day for two weeks so that PANNA could test for the presence of chlorpyrifos in their bodies. Medellin, twenty-two, works as a dishwasher in a restaurant. He lives in a trailer park surrounded by orange trees, but figured he was young and strong and unlikely to have a toxic chemical in his bloodstream. 
</p>
<p>
Yet Medellin had 7 micrograms of chlorpyrifos per liter of urine, or 4.5 times the amount of the average American adult. He fell within range, just barely, of the EPA&#8217;s acceptable level for healthy adults (7.9 micrograms/liter). One woman, a former farmworker who no longer works in the fields, had levels twice that. Only two of the study participants worked in the fields during sampling, but eleven of the twelve people tested had levels above the level that EPA data and PANNA analysis indicate would be an acceptable daily exposure for pregnant and nursing women (1.5 micrograms/liter). 
</p>
<p>
&#8220;I was mad when I heard about the levels,&#8221; says Medellin as we walk the orange grove&#8217;s long, narrow pathways between trees. Mornings after they&#8217;ve been sprayed, he says, the leaves look like they&#8217;ve been sprinkled with flour. &#8220;I want to have kids and not have serious health problems. Will this chemical stay in my body and make some damage in the future? Will it stay in my body long enough to cause cancer?&#8221;
</p>
<p>
With a local immigrant advocacy organization called El Quinto Sol de Am&#233;rica, and a coalition of regional groups, Medellin and others are working to shield residents from pesticides. For the past three years they&#8217;ve pushed for buffer zones between farmland and schools and homes, and for regulations requiring growers to notify schools, hospitals, and residents before they spray nearby. Activists have circulated petitions, held meetings with the Tulare agriculture commissioner and local school boards, and staged protests to attract media attention. They&#8217;ve had some success: beginning in December 2007, growers in Tulare County no longer may apply the most dangerous pesticides by plane within a quarter mile of schools, residential areas, and occupied labor camps. This is the first time a county has used a 2001 state law that permits the creation of buffer zones. Though activists hailed the change, it&#8217;s far from everything they want. The law only applies to restricted pesticides that require an application permit. Chlorpyrifos, for example, isn&#8217;t on that list in California.
</p>
<p>
The accomplishments of the valley residents and the nonprofits that support them may seem minor. But there&#8217;s a significant, albeit slight, shift in the air. Gary Kunkel, agricultural commissioner for Tulare County, credits the creation of the buffer zones to numerous talks he&#8217;s had with the activist coalition, and he says that the dynamic between government and local, mostly Latino communities is changing. &#8220;I, for one, ten years ago didn&#8217;t know the names of all these groups, and now I do. And I think that&#8217;s a very positive thing. They&#8217;re becoming increasingly confident and they&#8217;re getting somewhere,&#8221; says Kunkel, ruddy and mustached, as he sits at the end of the long, wooden conference table. &#8220;They&#8217;re having an impact and will have an impact on how we do business here.&#8221;
</p>
<p>
For this trend, Gustavo Aguirre, a former farmworker from Mexico who is leading the buffer zone campaign for the Center on Race, Poverty &amp; the Environment, credits those like Cruz, Avi&#241;a, and Medellin. &#8220;It&#8217;s been successful because of the participation of people in the study. The Drift Catcher and the biomonitoring has a huge impact. One of the reasons the county ag commission can&#8217;t say they don&#8217;t like it is because they&#8217;re not monitoring the pesticides. We&#8217;re doing their homework for them,&#8221; says Aguirre. &#8220;We are trying to organize rural communities to raise their voices and I think that&#8217;s happening. I believe people have capacity without limits.&#8221;
</p>
<p>
IF HISTORY IS ANY INDICATOR, the use of Drift Catchers and activism to pull people like Teresa Avi&#241;a and Luis Medellin up out of society&#8217;s margins will take a long time. Even so, the fact that anyone is trying to do something, anything really, not only for themselves but for all San Joaquin Valley residents, carries its own heft. 
</p>
<p>
On a day when the recently denuded cotton fields across the street from the elementary school are a brown sea of dust, and thick air obscures the mountains to the west, the playground at Huron Elementary is a mill of laughter and shrieking. It&#8217;s the first day of school after summer break. As a bell rings to pull these small, mostly brown children away from their swings and tag games, Noella Salda&#241;a, a veteran kindergarten teacher, sighs with relief at the momentary pause. Though she grew up in New Hampshire in a family of French Canadians, Salda&#241;a has lived and taught in Huron for over twenty years. She has spoken Spanish for so long that she forgets how to say certain words, like sidewalk, in English. A woman who speaks in galloping straight lines, Salda&#241;a talks with candor about how the Drift Catchers penetrate a pervasive indifference. 
</p>
<p>
&#8220;This community, unfortunately, is a bit apathetic,&#8221; she says, walking across the now quiet playground. &#8220;People ask me why I&#8217;m living in this community when you know that the rules get bent for some people and not for others, when you&#8217;re getting sprayed with pesticides. But we&#8217;ve been here so long. These people are my friends.&#8221;
</p>
<p>
As the midday sun bakes the concrete slab of the playground, Salda&#241;a pauses to consider what the Drift Catchers might mean for this town, for people like Teresa Avi&#241;a who are afraid to open their windows. She knits her brow and stares off toward the nearby fields. &#8220;It&#8217;s a good start, it&#8217;s a really good start because nothing&#8217;s ever happened before.&#8221; 
</p>
      ]]></content>
    </entry>

    <entry>
      <title>Un&#45;Natural Remedies</title>
      <link rel="alternate" type="text/html" href="http://www.orionmagazine.org/index.php/articles/article/3052/" />
      <id>tag:orionmagazine.org,2008:index.php/2.3052</id>
      <published>2008-07-24T11:32:00Z</published>
      <updated>2008-07-21T02:42:54Z</updated>
      <author>
            <name>
by Nalini Nadkarni
</name>
                  </author>

      <category term="Culture and Society"
        scheme="http://www.orionmagazine.org/index.php/site/C7/"
        label="Culture and Society" />
      <category term="Health"
        scheme="http://www.orionmagazine.org/index.php/site/C12/"
        label="Health" />
      <category term="Sacred &amp; Mundane"
        scheme="http://www.orionmagazine.org/index.php/site/C24/"
        label="Sacred &amp; Mundane" />
      <content type="html"><![CDATA[
        <p>The forest canopy is a place that inspires human healing. Roger Ulrich, a professor of behavioral psychology at Texas A&amp;M University and a pioneer in the study of environmental influences on health, contends that the proximity of nature can enhance human well-being in measurable ways. In his view, no environment is neutral, and the surroundings in which a hospital patient receives care significantly affect patient outcomes in both positive and negative ways. Fear and uncertainty about the prognosis, isolation from friends and loved ones, and related stresses can lead to suppression of the immune system, as well as dampen emotional and spiritual resources, and thus impede recovery. In the early 1990s, Ulrich observed that the psychological and social needs of patients had been largely disregarded in the design of health-care facilities. Rather than providing an environment that calms patients and strengthens coping resources and healing processes, our health-care facilities are frequently stark and impersonal, stressful to patients, and detrimental to caregivers. 
</p>
<p>
Ulrich went beyond theory and tested these ideas. In a landmark study published in the journal <i>Science</i>, he investigated the recovery rates of a group of patients with contrasting views from their windows in a Texas hospital, all of whom had had gall bladder surgery. Some patients had rooms that overlooked a patch of trees in the hospital courtyard; others had windows that faced a concrete wall. Patients in rooms with views of trees spent fewer days in the hospital, used fewer narcotic drugs, had fewer complications, and registered fewer complaints with the nurses. Other studies showed that environments with nature-related imagery, such as photographs and paintings on the wall, reduce anxiety, lower blood pressure, and reduce pain. Not only did Ulrich demonstrate a direct correlation between having a view of trees and better health, but research has since shown the obverse to be true as well, linking unsupportive surroundings such as blank walls and harsh lighting to elevated depression, greater need for pain drugs, and longer hospital stays. Even the most mainstream administrators, hospital architects, and interior designers now acknowledge that environments with nature imagery&#8212;from reception to radiology to restrooms&#8212;empower patients in their healing, provide relief for worried families, and fortify care providers.
</p>
<p>
Of course, not every hospital or clinic is fortunate enough to have views of a forest. Over the past decade, a number of private companies have been marketing artificial &#8220;treeviews&#8221; to health-care facilities. One such company, The Sky Factory, offers two product lines. The SkyCeiling, which creates a photographic illusion of a real tree canopy against a cloud-dotted blue sky, is installed in ceiling grids where fluorescent lights and acoustic panels usually reside, while the Luminous Virtual Window features landscape images for vertical walls. Though relatively expensive&#8212;panels cost between eighty-five and one hundred dollars per square foot&#8212;they are easily installed and radiate light at a color temperature of 6,500 degrees Kelvin (equivalent to natural sunlight) into the room. These companies post enthusiastic testimonials from patients about how views of blossoming and leafy trees had a soothing and balancing effect on them. Although little quantitative information exists to attest to these products&#8217; direct health benefits, the fact that the artificial treeview business has grown exponentially in the past five years suggests their effectiveness&#8212;enough so, anyway, that hospital administrators are willing to pay handsomely for a room with a view, albeit a manufactured one, of trees.&nbsp;
</p>
      ]]></content>
    </entry>

    <entry>
      <title>Once Upon a Turtle Moon</title>
      <link rel="alternate" type="text/html" href="http://www.orionmagazine.org/index.php/articles/article/3047/" />
      <id>tag:orionmagazine.org,2008:index.php/2.3047</id>
      <published>2008-07-15T12:52:00Z</published>
      <updated>2008-07-10T19:37:31Z</updated>
      <author>
            <name>
by Roger Pinckney, with photographs by Jason Houston
</name>
                  </author>

      <category term="Activism / Conservation"
        scheme="http://www.orionmagazine.org/index.php/site/C4/"
        label="Activism / Conservation" />
      <category term="Stories &amp; Memoir"
        scheme="http://www.orionmagazine.org/index.php/site/C16/"
        label="Stories &amp; Memoir" />
      <category term="Groundswell"
        scheme="http://www.orionmagazine.org/index.php/site/C21/"
        label="Groundswell" />
      <content type="html"><![CDATA[
        <p>Below: a video of Roger Pinckney talking about development on Dafuskie Island.</p>
<br />
<pre>
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</pre>

<p>
FREEPORT MARINA, the edge of the world. The ancient live oaks are blanketed with Spanish moss, a tattered and ghostly legion along riverbank and marsh, giants among the pickets of yellow pine, tupelo, and lesser trees. The tide floods the spartina flats as the sun slips off toward Savannah, where the spew from that glorious and tragic city shatters the slanting light and turns the world to bronze and gold, so beautiful you wish you could forget it&#8217;s just smoke and dust and fumes.
</p>
<p>
And it&#8217;s easy to forget here at Freeport Marina. The beer is cold, the corn and sausage and shrimp are hot, all boiled up together and served on newspaper platters. The tide is humming around the dock pilings, the floats rocking and creaking in the wakes of passing boats, the river wind whistling through screen wire. The moon is still two hours below the horizon, but it&#8217;s already making music in our heads. 
</p>
<p>
It&#8217;s the full moon of June, a turtle moon, and the loggerheads are crawling ashore to nest. Loggerhead sea turtles, <i>Caretta caretta</i>, losing beaches, struck by boats, tangled in nets, awash in oil and garbage. They are a species just like us&#8212;eyeball to eyeball with the Death Angel. 
</p>
<p>
Susan and I are fresh off the beach, windblown, gnat-gnawed, sunburnt, and thirsty. A ship got in trouble off Cape Hatteras, lost cargo over the side. Forty thousand Chinese coffee makers went to the bottom, but the packing did not. For the past week we&#8217;ve been picking up Styrofoam the size of Frisbees, five hundred gallons now and counting. Besides this recent plague, there are always balloons from cruise-ship weddings, offshore fishermen&#8217;s ice bags, water bottles, and enough mismatched flip-flops to start a half-price one-legged shoe store. They are all bad news. Loggerheads can mistake them for jellyfish, a favorite prey. 
</p>
<p>
We duck into the cool shade of the Freeport bar and meet Crazy Jack and Naked Bill. Crazy Jack is hooked over the end of the counter, looking like he&#8217;s been waiting for somebody to talk to. He&#8217;s got eyes like a neon beer sign, a voice like he&#8217;d just gargled with turpentine&#8212;you know, drawed up and squeaky, like he was fixing to sing with Bill Monroe. 
</p>
<p>
&#8220;Mr. Squirrel and Mr. Lizard was up a gum tree smoking a joint when Mr. Lizard says, &#8216;Man, this stuff is just tearin&#8217; up my throat.&#8217;&#8221; 
</p>
<p>
It&#8217;s an African animal tale with a New World twist. We&#8217;re not in Africa, we&#8217;re on Daufuskie, a barrier island on the tip end of South Carolina. But Africa is never far away, nearer than Los Angeles, with only the bump of the Cape Verdes in between. 
</p>
<p>
And Africa is even closer than that. Daufuskie was home to the Gullah, brought here in chains. A diverse people from diverse tribes&#8212;artisans, tradesmen, warriors, and witch doctors&#8212;they labored here one hundred and fifty years. Eventually, all along this coast, the Gullah got land with freedom, but not forty acres and a mule, the lie they told you back in high school. Mules were expensive, and amid the ruin of war, land was cheap. Expropriated from slave masters, sometimes even gifted by former masters, it was doled out, three, five, seven acres at a time. Tasks, they called them, the acres it took to feed a family, ground a good man could plow in a day&#8212;if he had a mule. 
</p>
<p>
No polyester in those days, no Dacron either. The country needed cotton, the world needed cotton, slave labor or free. If the Gullah had land, maybe they would stay. The Gullah stayed and they bought their own mules whenever they could afford them. They farmed, fished, built cabins, stores, and churches, elected constables, school boards, and bishops, and even sent one of their peers to Congress. But the Gullah would not chop cotton any more. They grew African crops instead, like rice and melons, yams and peas and peanuts; Indian crops like corn, squash, and beans. 
</p>
<p>
There were a hundred years between freedom and dispersal, magic years. But then the great-grandchildren of Yankee soldiers came back for the golf and tennis and waterfront lots, tens upon tens of thousands from Ohio and New York and Pennsyl-tucky. The Gullah call them come-heyahs. This county&#8217;s population doubled in ten years, taxes increased sevenfold while the slop from the paper mill and the sugar mill slowly crept up the waterways from Savannah, poisoning the oysters and thinning the great schools of fish. 
</p>
<p>
The Gullah could stand any tide but this. They abandoned their land, moved off to find work in Charleston, Jacksonville, and Savannah, sometimes New York, Philadelphia, and Detroit. Their sagging cabins are all awash in jungles of kudzu and wisteria, their tasks gone back to honeysuckle and briar, and now both deacons at the First Union African Baptist hail from somewhere up in Yankee land. 
</p>
<p>
Crazy Jack is not Gullah, he&#8217;s white like me, like Susan and Naked Bill, like most of us on this island these days. But we are more African than we might think. Things we eat, the way we speak, the stories we tell, and sometimes, how long they take. 
</p>
<p>
&#8220;So the squirrel says, &#8216;Man, just go on down to the creek and get you a drink.&#8217; So the lizard crawls on down and is lapping up some water when Mr. Gator comes sliding along. &#8216;Hey, Mr. Lizard, what you up to?&#8217;&#8221;
</p>
<p>
Crazy Jack ran a record shop over in Savannah, and I can see the domed and spired skyline shimmering just over his shoulder, across the great flats of spartina, gold as grain for the harvest. Crazy Jack sold LPs, 78s and 45s, tickets to Little Richard, Ernie K-Doe, Pigmeat Markham, rolling papers, and so forth. 
</p>
<p>
&#8220;Lizard says, &#8216;Man, I was smoking a joint with the squirrel and it just tore up my throat.&#8217; Gator says, &#8216;Well, lemme have some!&#8217; Lizard says, &#8216;Squirrel&#8217;s got it. Better crawl on up there and axe him.&#8217; So the gator clumb up the tree and the squirrel looks at him and says, &#8216;Great God, man! How much water did you drink?&#8217;&#8221;
</p>
<p>
Maybe you should have been there to hear him tell it. And indeed, you should be a come-heyah, if only for a day. You should see this island before more Yankees gobble the last of it up. It&#8217;s an hour by boat from the nearest highway, five thousand acres, four miles of beach, three hundred souls, if all of us have souls. The beginning of the end is already here, a resort, a beachfront inn, three dozen rental cottages, a scattering of homes, &#8220;starter castles,&#8221; we call them. Development fizzled in the 1990s, after a bubble on Wall Street busted. Fine with us. But the market is seesawing its way back up again and the developers are in a high sweat. They want to tame this last bit of wild country, civilize this last tribe of wild men. Wild women, too.
</p>
<p>
Naked Bill is hunkered by the jukebox, nursing a whiskey and water. Whiskey ain&#8217;t African but juke is, an impolite verb whose English equivalent would not likely be printed here. But you&#8217;ll see how the jukebox got its name when you punch up some raucous old blues and get to bump dancing on a turtle moon.
</p>
<p>
&#8220;Just leave the damn turtles alone,&#8221; Naked Bill says. &#8220;If the Mexicans can&#8217;t find &#8216;em, they&#8217;ll be fine.&#8221; 
</p>
<p>
Leave them alone. Nesting loggerheads, bigger than washtubs, three hundred, three hundred and fifty pounds. Yes, tides will run, winds will blow, and sand will shift, and after a couple of days, you won&#8217;t see the herringbone tracks upon the strand marking the midnight comings and goings of a creature three hundred million years old. You can read those tracks like you would read a book, the way the sand lies behind the thrust of each flipper, the wiggle-wobble of their tails between. You can see where they came up, where they went down. The way they wallowed, dug, and covered. Or if you&#8217;re lucky enough to find one laying, you can watch eggs like ping-pong balls ploop into the cavity she digs with her flippers. You can walk with her as she struggles back to the surf, swim with her, lay your hand upon her shell in a parting blessing, watch the sea phosphorus explode at your fingertips like a thousand tiny lightning bugs. 
</p>
<p>
This annual miracle gives us faith. Show folks the nests, and tourists will leash the dogs and kids, the gals from the resort stable won&#8217;t ride their horses over them. The old Gullah women used to raid the nests for eggs for baking, because the whites never set and the shortbreads and cakes kept soft and moist and fine. Now there&#8217;s only Miss Janie, Miss Flossie, and Miss Ethel Mae left, and their children and grandchildren are grown and scattered. But the Latinos working the golf course think turtle eggs are some sort of organic Viagra. <i>Se hacen muy fuerte!</i>
</p>
<p>
Susan and I are registered under the Endangered Species Act, as part of a network of beach keepers working from here to the North Carolina line. We&#8217;ve been off to school and they have been here to teach us. We find nests and stake them each low tide, June through August. Then we look for hatchlings till October. We look for dead or injured turtles all year long. We post &#8220;gubmint&#8221; signs: <small>SEA TURTLES, THEIR CARCASSES, EGGS</small>, and <small>HATCHLINGS ARE PROTECTED BY STATE AND FEDERAL LAW</small>. 
</p>
<p>
We have a hot-rod cart that never saw a golf course. Knobby tires, jacked up and geared down, it will take you about anywhere you need to go. Rack on the front for hammer and signs, rack on the back for a bundle of stakes. Thermos of coffee for morning low tides, cocktails for the evening ones&#8212;we have our sweet rituals. The surf whispering its sad low-tide secrets, the ospreys wheeling and screeching, the pelicans diving, the terns turning, the black skimmers skimming, the porpoises lolling in the shallows, grinning and rolling their eyes like they just heard Crazy Jack tell a joke.
</p>
<p>
&#8220;You go out every morning?&#8221; Crazy Jack asks. &#8220;And you <i>drive</i> on the beach?&#8221;
</p>
<p>
We do. At first when the tourists saw us coming, there would be a great collective grabbing of cell phones, every God&#8217;s one of them calling the sheriff to complain. So we figured to look a bit more official: khaki shorts, khaki shirts, and a big Turtle Rescue sticker on the cart. Now the tourists know who we are, but the golf-course workers think we are from the INS and hide in the bushes whenever they see us coming.
</p>
<p>
&#8220;If the Mohican hadn&#8217;t got tore-down drunk and cut wheelies in front of the inn,&#8221; Naked Bill says, &#8220;we&#8217;d all still be driving.&#8221;
</p>
<p>
The resort called 9-1-1 and the cops shut the beach down&#8212;a secret law they dredged up from somewhere. Our friend Maria was out on the beach the day they lowered the boom, sunning herself alongside her ATV, maybe naked, maybe not. &#8220;You got any papers to prove it?&#8221; she asked when they told her she had to move. &#8220;You want paper, lady, you got it!&#8221; they said and laid a $187 ticket in her hand. 
</p>
<p>
Then they put up the sign. It was better than over on Hilton Head, where they post a big red no followed by three or four hundred words of fine print. But it was bad enough: no vehicles of any type or nature, no horses for about half the year, no fires, no fireworks, no nudity. They knew about Naked Bill.
</p>
<p>
So no more loading up surf rods, tackle, and folding chairs, no coolering up beer and bait. No more easing down till you find a spot that looks fishy, even though the fish don&#8217;t bite the way they used to. No more shortcut to the store, driving down to see the neighbors, or farther where you could juke without interruption. 
</p>
<p>
Blame it on the Mohican. He&#8217;s not here to defend his good name. He&#8217;s a direct descendant of the convicts the English turned loose in Savannah in the 1740s, Georgia to the bone, but he looks like some wild warrior chief, swarthy from pulling crab pots in the sun, rope of black hair, his nose hooked and busted from barroom brawls, a scar the size of a half dollar in the middle of his forehead from when his last girlfriend got after him with a claw hammer. 
</p>
<p>
&#8220;How about you?&#8221; Crazy Jack asks Naked Bill, his Adam&#8217;s apple bobbing like a pump handle trying to draw prime. &#8220;They mad at you too, bare-ass in that old fire truck, all them girls bare-ass, too, down on the beach shootin&#8217; at them damn Yankee tourists with a damn potato cannon.&#8221;
</p>
<p>
&#8220;Random acts of naked terrorism,&#8221; Naked Bill says. His sentiments are left over from when General Sherman got too handy with his matches, when he burnt every home, school, courthouse, outhouse, and church in a swath a hundred miles wide and four hundred miles long. Sherman went on to command the army during the extermination of the Plains Indians, and a hundred and forty-odd years later, he made liars out of the talking heads after 9/11, when they said such a conflagration had never happened in America before. It&#8217;s a long time to hold a grudge, but we got burnt out, so we still hold it.
</p>
<p>
Naked Bill pulled the water cannon off the back of the fire truck, replaced it with a long stick of two-inch plastic pipe. A whiff of starting fluid and the flick of a Bic, and it would rocket a russet two hundred yards. Wouldn&#8217;t kill nobody, but it sure made &#8217;em scatter.
</p>
<p>
Naked Bill got his name when he was fishing off Tybee and wouldn&#8217;t put on his britches for the Coast Guard. That was the year of the Atlanta Olympics, when they ran the sailing events down here and the coasties, game wardens, and deputies were boarding boats looking for Osama. There was a good-looking young boatswain&#8217;s mate in command, Naked Bill says, and this is how it went:
</p>
<p>
&#8220;Sir, can I see some identification?&#8221;
</p>
<p>
&#8220;Yes ma&#8217;am.&#8221;
</p>
<p>
&#8220;Sir, can I see your fishing license?&#8221;
</p>
<p>
&#8220;Yes ma&#8217;am.&#8221;
</p>
<p>
&#8220;Sir, will you please put on your pants?&#8221;
</p>
<p>
&#8220;No ma&#8217;am.&#8221;
</p>
<p>
And then she sped away before he had a chance to get her phone number. 
</p>
<p>
&#8220;It&#8217;s the lights, not the driving,&#8221; Susan says. &#8220;Last year they fished forty hatchlings out of the condo pool. They thought it was moonlight on the ocean.&#8221; 
</p>
<p>
Hatchlings the size of poker chips. Susan calls them her babies, the sum of all our hopes. A bedraggled island coalition had fought the condos in the press, in committees, in state and federal court. They cost us time but we had time. We cost them money but they had plenty. Yeah, we knocked off a floor, but they built the damn things anyway, five-story nightmares on an eroding beach, turtles nesting in front of it, bald eagles behind. But it wasn&#8217;t just hatchlings that wound up in that swimming pool. 
</p>
<p>
&#8220;Take me to the condos,&#8221; Susan said. 
</p>
<p>
Susan is the kind of gal who will dog a bone right down to nothing. You might tell her no a dozen times, but it just won&#8217;t stick. And she was about to get shut of all this civilizing. By that time I had had my quota of condos, but I humored her.&nbsp; 
</p>
<p>
&#8220;Okay, baby, we&#8217;ll do it tomorrow.&#8221;
</p>
<p>
Tomorrow came and tomorrow went. &#8220;You said you were gonna take me to the condos!&#8221;
<br />
I slid off the hook again, but a couple more days and she cornered me one final time. &#8220;Okay, dammit,&#8221; I said, &#8220;I will stop everything else and get in the cart and I&#8217;ll take you there right now!&#8221;
</p>
<p>
She eyed me like an osprey eyes a mullet. &#8220;Naked,&#8221; she said.
</p>
<p>
By that time there were thugs on the island&#8212;caretakers, they called them&#8212;who&#8217;d sunk one of our boats, gloomed and threatened. &#8220;I can&#8217;t go down there naked!&#8221; I howled.
</p>
<p>
&#8220;Why not?&#8221;
</p>
<p>
&#8220;Where in the hell will I put my pistol?&#8221;
</p>
<p>
Naked Bill never saw us, four o&#8217;clock one Sunday afternoon, but he was mighty proud when he heard about me and Susan naked down a mile of beach in the jacked-up cart. There was a hundred feet of loose sand I thought we&#8217;d never get through, but we did. We drove as close as we could, hopped the fence, and had the pool all to ourselves for about three minutes. Then somebody came a-running and flapping, and when we got out of the water, he beat feet just like that boatswain&#8217;s mate when Naked Bill wouldn&#8217;t put on his britches. Nothing much came of it, but it was a good story for a while. 
</p>
<p>
That was all a couple of years back, before we got registered and respectable, before I cold-cocked one of the thugs with a magnum of Chablis and went to jail for it. But that&#8217;s a whole &#8216;nuther story.
</p>
<p>
&#8220;Don&#8217;t reckon chlorine does a turtle much good,&#8221; Naked Bill says. 
</p>
<p>
Susan breaks down and cries whenever the tide gets a nest, when the ghost crabs and coons get them, too. God help anybody she finds digging. &#8220;And then they had to swim clean to the Gulf Stream,&#8221; she says.
</p>
<p>
&#8220;Reckon they made it?&#8221; Crazy Jack asks.
</p>
<p>
Ninety miles on the energy of a yoke, a thimble of faith. Susan does not answer. I want to say, <i>Them poor little skutters was dead before they hit the sea</i>, but I know a thimble of faith can tilt the Earth. 
</p>
<p>
Crazy Jack is ten years older than the rest of us, old enough to remember German subs prowling offshore and the great litter of war that washed up on our beaches, the splintered lifeboats, oil slicks, and bodies. &#8220;You know how we enforced the blackout during the war?&#8221; He asks it like a question, but we know he already has the answer by the flash in his eyes. &#8220;We shot at every light we saw.&#8221;
</p>
<p>
&#8220;Well,&#8221; says Susan, with that osprey look in her eyes, &#8220;maybe we could talk Naked Bill into breaking out that potato cannon.&#8221;
</p>
<p>
Naked Bill grunts and motions for another whiskey. A thimble of faith can tilt the Earth. I want the come-heyahs to all go home, back to the concrete and crime and smog they have created, not stay and make more of it down here. But I know they won&#8217;t. I want the air to clear up and the water too. I want the Gullah and the fish to come back, but they won&#8217;t likely either. 
</p>
<p>
But the turtles will come, back to the beaches where they hatched, fifty, sixty years before. From Africa and the Azores they will come. From the Tortugas and Antigua and from Labrador. On the full moon they will crawl up into the dunes. And there among the rattling sea oats and the jackstraw of last year&#8217;s spartina, they will weep great salty tears as they lay their eggs. Biologists will tell you it&#8217;s just a way to regulate salinity, but we know better. They weep for the babies that may never find their way back to these beaches, for beaches that may not even be here at all. They weep for all that has been and all that is to come, here on this barrier island on borrowed time. 
</p>
<p>
I weep too. And I will help them as best I can. One miracle at a time will suffice.
</p>
<p>
The barkeep brings another round as the sun slides down the west and the shadows grow long upon this land I love.
</p>
<p>
I turn to Crazy Jack. &#8220;You got anything to smoke?&#8221;
</p>
<p>
He giggles. &#8220;Climb on up that gum tree yonder and axe the squirrel.&#8221;
</p>
<p>
The high-tide breeze comes ghosting up the river, sets the palmetto fronds rattling. Moonrise in another hour.&nbsp;
</p>
      ]]></content>
    </entry>

    <entry>
      <title>Pleistocene Dreams</title>
      <link rel="alternate" type="text/html" href="http://www.orionmagazine.org/index.php/articles/article/3053/" />
      <id>tag:orionmagazine.org,2008:index.php/2.3053</id>
      <published>2008-07-15T12:37:00Z</published>
      <updated>2008-07-10T19:38:17Z</updated>
      <author>
            <name>
by Josh Donlan
</name>
                  </author>

      <category term="Culture and Society"
        scheme="http://www.orionmagazine.org/index.php/site/C7/"
        label="Culture and Society" />
      <category term="Education"
        scheme="http://www.orionmagazine.org/index.php/site/C10/"
        label="Education" />
      <category term="Point of View"
        scheme="http://www.orionmagazine.org/index.php/site/C25/"
        label="Point of View" />
      <content type="html"><![CDATA[
        <p>EVERY KID IN THE U.S. knows and cares about dinosaurs, but few have even heard of the Shasta ground sloth, let alone its contemporaries: American mastodons, western camels, Mexican horses, and American cheetahs and lions. Roughly thirteen thousand years ago, six dozen North American species over a hundred pounds went extinct. Human hunters probably played a part in their demise.
</p>
<p>
Three years ago my colleagues and I proposed restoring megafauna to North America using ecological history as a guide. Our idea: re-create the missing ecological functions and evolutionary potential of lost megafauna by using closely related species as analogues. It turns out the horses, camels, and cheetahs in Africa and Asia today are closely related to vanished North American counterparts. In fact, today&#8217;s &#8220;African lion&#8221; is the same species that once roamed North America. The social and ecological challenges of bringing megafauna back to North America are monumental, but so are the potential benefits. 
</p>
<p>
Large animals maintain biodiversity through their interactions with other species. Elephants knock down trees and create new habitat. Lions regulate prey populations by eating them and affect their behavior by creating landscapes of fear. Similarly, wolves alter the vegetation by changing where elk go to forage, and these changes in vegetation patterns influence migratory birds. Wolves may even dictate the ability of other animals to survive by providing carcasses to scavenge when times are tough. Such pervasive influences appear to be the norm for megafauna, which means that bygone big animals were critical cogs in the wheels of North American ecosystems.
</p>
<p>
Those critical cogs are also missing from North Americans&#8217; psyches. While we often fear them, we love megafauna. Anthropologist Paul Shepard wrote at length about our deep relationship with large animals, and how that relationship extends back tens of thousands of years. He believed there are important reasons why children&#8217;s books are filled with large animals. Given that children in the U.S. now spend 80 percent of their free time in front of television and computer screens, what are the psychological consequences to North Americans of losing touch with flesh-and-blood versions of the continent&#8217;s bygone megafauna? 
</p>
<p>
The consequences to North Americans of losing such a colossal component of our natural heritage are rarely considered. Restoring megafauna to this continent will mean risking unexpected consequences. Some of those risks can be mitigated with sound science; others will be surprises revealed only by trial and error. Yet in the coming century, by default or design, our society will decide what and how much biodiversity we will coexist with. We now live in a world of decaying ecosystems, where humans increasingly lack any relationship with nature. Meanwhile, biodiversity conservation is focused on managing extinction instead of actively restoring natural processes. Maybe bringing megafauna back to North America could jumpstart a more proactive vision of biodiversity conservation, while also helping to reconnect people with nature.
</p>
<p>
My grandchildren likely will grow up in a world where videophilia trumps biophilia, and will almost surely know polar bears solely from DVDs. Perhaps we can do better, and our ecological history could help. Perhaps we can accept the risks and take the bold actions needed to bring back the megafauna. As biologist Geerat Vermeij stated, &#8220;A risk-free world is a very dull world, one from which we are apt to learn little of consequence.&#8221; 
</p>
      ]]></content>
    </entry>

    <entry>
      <title>Coyotes at the Mall</title>
      <link rel="alternate" type="text/html" href="http://www.orionmagazine.org/index.php/articles/article/3051/" />
      <id>tag:orionmagazine.org,2008:index.php/2.3051</id>
      <published>2008-07-15T12:30:00Z</published>
      <updated>2008-07-10T19:47:29Z</updated>
      <author>
            <name>
by Tom Montgomery-Fate
</name>
                  </author>

      <category term="Culture and Society"
        scheme="http://www.orionmagazine.org/index.php/site/C7/"
        label="Culture and Society" />
      <category term="Sacred &amp; Mundane"
        scheme="http://www.orionmagazine.org/index.php/site/C24/"
        label="Sacred &amp; Mundane" />
      <content type="html"><![CDATA[
        <p>Perhaps lured by the smell of sizzling meat, a coyote strolled through the propped-open door of a Quiznos in downtown Chicago last spring. The docile thirty-pound canine walked past the counter and lay down on a stack of Diet Pepsi in an open cooler, where it quietly remained, even as a large crowd gathered at the front window. An hour later an animal control officer arrived with a catch pole and removed the animal. 
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<p>
No one knows where that coyote came from. Chicago Animal Care and Control catches ten or fifteen in the city center every year, but usually closer to a likely home&#8212;a lakefront park, an isolated trash dump, the railroad tracks. This coyote would have had to weave through a half mile of bumper-to-bumper traffic and harried shoppers and soapbox preachers to reach the Quiznos.&nbsp; 
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<p>
Suburban coyotes often do better than their country cousins. Rural coyotes have a 30 percent chance of making it through their first year; urban coyotes have a 60 percent chance. In rural areas the leading cause of coyote death is hunting or trapping; for urban coyotes it&#8217;s cars. Thus, suburban towns with slow traffic and large parks and preserves are likely places to see coyotes.
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<p>
At least once a week airport workers see coyotes trotting along the O&#8217;Hare runways, and airplanes have hit twenty-three over the last fifteen years in Illinois alone. Recently two jets had to temporarily abort their landings because a pack of coyotes was hunting on their landing strip. All of these odd intersections of coyote and human lives point to the shrinking habitat that we share. And while most of the two thousand or so coyotes that live in Chicago remain unseen, the number of encounters with people is increasing. 
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The coyote&#8217;s arrival into our &#8220;territory&#8221; is less an intrusion than a natural migration&#8212;from the once plentiful fields and woodlands, to the islands of available habitat which dot Chicago&#8217;s westward sprawl. By necessity, they are moving from the disappearing &#8220;country&#8221; to the suburbs and the city. The network of forest preserves and parks and the green corridors that connect them aid this movement. Like goldenrod, starlings, and people, coyotes adapt well to changing and disturbed environments. They flourish on the edges of bio-communities, which are divided and multiplied by each new road, highway, subdivision, golf course, and Wal-Mart that we build. It&#8217;s getting edgier all the time. 
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      ]]></content>
    </entry>


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