fig image
Tijana Drndarski

Figs

A Taste of Wonder

From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked.

Sylvia Plath, The Bell Jar

I FINALLY CONJURED up the courage to try figs again on Thassos, a northern Greek island where I was teaching poetry for the summer. I was determined to get to the bottom of a fruity mystery from long ago, when a boy had told me the “crunch” of a fig meant I was eating a dead wasp. I’d believed him, and for thirty-plus years I avoided the fruit. But they grow so easily in the sea air and soft pink Mediterranean light. After dinner, it was not uncommon to have fresh yogurt with a dollop of candied figs on top—spoon-sweets, the locals called them. I miss that simple sun-drenched bounty.

Figs are actually inside-out flowers—hundreds of flowers trapped inside a casing. The female fig wasp, still dusted with pollen from her own birth fig, enters an unripe fig through what is known as the ostiole, or the round base, stripping off her wings in the process. The wasp is so small, just two millimeters—about the size of the tip of a crayon— and only lives for two days, during which she must safely penetrate the fig and lay her eggs among the tiny flowers, while also pollinating the flowers. She dies shortly after.

Male fig wasps emerge first from their galls—their egg casings—and, in a bit of seizure that I wish was still mysterious in my mind, actually tear a hole in the galls of the female larvae, fertilizing them even as they lay silent and growing. As the last act in their short lives, the males then dig a tunnel back out of the fruit before dying. When the females wake, they shimmy through these tunnels, catching pollen on their shiny new (fertilized) bodies, and then fly away, sometimes fifty kilometers above the canopy, where they search for the perfect unripe fig to lay their own eggs, continuing the cycle.

 

Figs are actually inside-out flowers—
hundreds of flowers trapped inside a casing.

 

For more than nine thousand years, figs have been a keystone species, a critical component of the food web. Twelve hundred different kinds of animals depend on them, including a tenth of the world’s birds, and, yes, the wasps who take their name from them. It’s easy to imagine the rank appeal of taunting someone for gobbling up insect detritus. But if it seems like the boy who tried to gross me out all those years ago was right, you might be glad to know that the fruit’s enzymes dissolve any remnants of wasps inside the fig. All that’s left is the juice that Pliny the Elder called “the best food that can be taken by those who are brought low by long sickness.”

I like to think of that first moment of crossing, when the female squeezes into the ostiole, shedding her wings. The wings, almost invisible, are left to scatter at the foot of the tree or nestle inside among the fig flowers. I like to think that they’re still able to flutter and fly and frolic in the form of a parrot or cuckoo or sweets-loving oriole. I don’t worry the crunch; I celebrate the flight.

 

Read more from Aimee Nezhukumatathil’s Taste of Wonder column. 

 

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Aimee Nezhukumatathil is the author of the New York Times best-selling illustrated collection of nature essays and Kirkus Prize finalist, WORLD OF WONDERS: IN PRAISE OF FIREFLIES, WHALE SHARKS, & OTHER ASTONISHMENTS (2020, Milkweed Editions), which was chosen as Barnes and Noble’s Book of the Year. She has four previous poetry collections: OCEANIC (Copper Canyon Press, 2018), LUCKY FISH (2011), AT THE DRIVE-IN VOLCANO (2007), and MIRACLE FRUIT (2003), the last three from Tupelo Press. Her most recent chapbook is LACE & PYRITE, a collaboration of epistolary garden poems with the poet Ross Gay. Her writing appears twice in the Best American Poetry Series, The New York Times Magazine, ESPNPloughshares, American Poetry Review, and Tin House. Honors include a poetry fellowship from the National Endowment for the Arts, the Pushcart Prize, a Mississippi Arts Council grant, and being named a Guggenheim Fellow in poetry. In 2021, she became the first-ever poetry editor for SIERRA magazine, the story-telling arm of The Sierra Club. She is professor of English and Creative Writing in the University of Mississippi’s MFA program.

Comments

  1. The great loss of our figs to ravening birds this past September is a sorrow that may only be appreciated by a poet, because so much more than indescribable taste is lost – beauty, anticipation, sharing, scent and thanksgiving. But yes, taste too, yes taste.

  2. I really like home made fig Newton cookies

  3. What a lovely piece of writing, an astonishment of riches, the bursting fig with its flower-fruit cornocupia of delights, and the secret love life of wasps, all wrapped into one succulent whole!

  4. I think Joy Dube has summed up my feelings very beautifully!

  5. there’s a large fig tree growing on the west side of my old Cracker house. several years ago, a storm knocked it down. I stood there, looking at it in sorrow, wondering what to do. after some thought, I did nothing, it was still rooted in the sandy ground that holds the farm together.. I dumped a bucket of sheep manure at its base and whispered a prayer.
    today, the prone tree lives and has also offered up a tall shoot. in the summer it has pale figs that softly wrinkle when ripeness approaches. knowing that they won’t last for long, I monitor them several times a day. it’s hot. the insects buzz around. squirrels check from a nearby palmetto. we wait together. and then it happens – the fruit is sweet and ready for eating off the tree. everytime I pass it, I stop and gather what is soft and ripe, eating them as I continue around the farm. God;s gift! but on this farm you have to be stealthy and watchful. there are many standing in line behind me. go for it, critters!

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